
"In Lana Launay's Kinship series, light does more than illuminate space. It acts as a living archivist, revealing, preserving, and narrating stories embedded within inherited textiles. Through works such as Kinship I and Kinship II, the artist transforms antique doilies, lace fragments, and stockings passed down through generations into sculptural lighting forms that do not simply display history but actively project it into the present."
"At a distance, the sculptures appear softly abstract, glowing with fluid patterns that seem almost atmospheric. As viewers move closer, those patterns resolve into delicate lace surfaces. The forms are constructed by stretching and wrapping textile fragments across stainless steel frameworks, which are then illuminated from within using LED elements housed in aluminum structures. This meeting of industrial material and fragile cloth establishes a compelling tension between permanence and delicacy, between manufactured precision and inherited memory."
"Each textile used in the works carries its own lineage. These are not fabrics chosen for decoration, but heirlooms gathered from families who preserved them across generations. Once domestic objects that quietly occupied tables, drawers, or cabinets, the doilies and fabrics are repositioned as visible ancestral surfaces. In their new form, they shift from private keepsakes to shared visual artifacts, allowing personal histories to exist within public space."
Antique doilies, lace fragments, and stockings inherited across generations are transformed into sculptural lighting forms that reveal and project ancestral histories. Textile fragments are stretched and wrapped across stainless steel frameworks and lit from within using LED elements housed in aluminum structures. From afar the sculptures read as softly abstract, glowing with fluid atmospheric patterns that resolve into delicate lace upon closer inspection. The combination of industrial frameworks and fragile fabric generates tension between permanence and delicacy. When illuminated, light filters through stitches and fibers, projecting intricate webs of shadow where negative spaces become as expressive as the material.
Read at Yanko Design - Modern Industrial Design News
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