Limbo Museum Opens Its Debut Exhibition Within an Unfinished Brutalist Building in Ghana, West Africa

"The Limbo Museum is a new institution dedicated to architecture, art, and design based in Ghana, West Africa. The museum challenges the concept of the ruin, operating from a formerly abandoned Brutalist estate that currently conveys the image of an unfinished building. The project was founded by Limbo Accra, a spatial design and research-based practice established in 2018 by Dominique Petit-Frère and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond.""

"The work of Limbo Accra is rooted in experimentation with the repair and transformation of unfinished building projects in West African cities. The Limbo Museum operates within the unfinished concrete shell of a Brutalist building, transforming an in-between space into a living laboratory for art, architecture, design, and experimental media. The studio's operating model challenges conventional ideas of institutional form and function, embracing incompleteness as both a curatorial and architectural principle."

"For this inaugural edition, curated by Diallo Simon-Ponte, Reginald Sylvester II presents 19 large-scale sculptures and seven paintings created entirely on-site. The artist's practice is known for its abstract and materially experimental approach, exploring the industrial and spiritual histories of steel, rubber, and tarp. The display centers on the concept of transformation, suggesting that it is "not a fixed event but a continuous act of becoming, a wrestle with matter, meaning, and grace.""

Limbo Museum is a new institution dedicated to architecture, art, and design based in Ghana, West Africa. It operates from a formerly abandoned Brutalist estate that conveys the image of an unfinished building. Limbo Accra, founded in 2018 by Dominique Petit-Frère and Emil Grip, focuses on unlocking the potential of unfinished buildings across West Africa and beyond. The museum functions as a living laboratory within an unfinished concrete shell, using incompleteness as a curatorial and architectural principle. Developed with Gallery 1957, the residency program invited Reginald Sylvester II to produce 19 sculptures and seven paintings on-site. The exhibition centers on transformation as a continuous act of becoming.

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