
"She still wears it. Nearby sits a kilt still covered in the white hairs of one of her Springer Spaniels, which has since passed. Olivier Saillard, the French fashion historian guiding the performance, listens as the British artist wonders aloud whether a museum would preserve the traces of fur still clinging to the kilt. Saillard answers no. The hairs should remain. 'I don't want to clean this kilt,' Swinton says. Across A Biographical Wardrobe, the artists treat clothing as emotional evidence."
"Presented as part of the wider exhibition Ongoing at Onassis Ready, the live performance by Swinton and Saillard turns garments into living archives of memory, grief, kinship, and artistic collaboration. Staged inside the Onassis Foundation's newly opened arts space in Athens, a former plastics factory transformed into a raw site for artistic experimentation, the project gathers decades of Swinton's creative life through films, installations, photographs, and performances made with some of her closest collaborators, including Pedro Almodóvar, Luca Guadagnino, Joanna Hogg, Jim Jarmusch, Apichatpong Weerasethakul, Tim Walker, and the late Derek Jarman."
"The performance plays out almost like an intimate séance. Garments hang suspended in space without mannequins, hovering like absent bodies while Swinton narrates the lives attached to them. A velvet dress sewn by her mother's seamstress. A christening robe worn by generations of her family since 1896. Military jack"
A live performance presents clothing as living archives of memory, grief, kinship, and collaboration. A faded cardigan belonging to a father is unfolded and still worn, while a kilt retains white fur from a Springer Spaniel that has died. The question of museum preservation is answered by keeping the traces, with a refusal to clean the kilt. Garments hang without mannequins, hovering as absent bodies while narration connects each item to family histories and creative work. The broader project gathers decades of creative life through films, installations, photographs, and performances with close collaborators, framing creativity as fellowship rather than singular genius.
Read at designboom | architecture & design magazine
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