The article discusses two significant auction pieces: Lisa Brice's After Embah and Pablo Picasso's Tête d'homme et nu assis. Brice's work, which has drawn attention for its complex portrayal of women, references both historical and contemporary depictions of female sexuality, illustrating the artist's impact in modern art. Picasso’s piece, rooted in his exploration of male desire, features his wife Jacqueline Roque as a central muse, reflecting personal dynamics in his art. Both works underline the evolving perceptions of gender and sexuality in art, with their auction significance hinting at cultural dialogues they represent.
Lisa Brice's After Embah challenges traditional depictions of women in art, referencing iconic works and modern music that push boundaries of female representation.
Pablo Picasso's Tête d'homme et nu assis exemplifies his late-life focus on male desire, showcasing his relationship with Jacqueline Roque, his most prominent muse.
Brice's work rarely comes to market, and After Embah’s auction at Sotheby's after its successful counterpart, No Bare Back, indicates growing recognition for her art.
The Phillips auction of Picasso's Tête d'homme et nu assis unveils a significant piece, marking the first auction appearance after being held privately for decades.
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