The Madonna del Parto, created by Piero della Francesca around 1460, is located in Monterchi and symbolizes protection for pregnant women during childbirth. Local women demonstrated their devotion during World War II, mistakenly confronting men they thought were Nazis attempting to steal the painting. In 1954, a protest erupted against its relocation to Florence, where women lay in the street to block its departure. Jenny Saville's work, heavily influenced by Renaissance masters, reveals her connection to motherhood, with iconic pieces reflecting themes reminiscent of the old giants' artwork.
The Madonna del Parto, painted by Piero della Francesca around 1460, is located in Monterchi and symbolizes protection for pregnant women, especially during birth.
During World War II, local women in Monterchi protested against the potential theft of the Madonna del Parto, mistaking men for Nazis intent on stealing it.
Jenny Saville's artwork, influenced by Renaissance masters like Leonardo da Vinci and Michelangelo, reflects her experience of motherhood through paintings of mother figures wrangling children.
The poignancy of the Madonna del Parto is highlighted by local women's dedication to its protection, showcasing a deep emotional and cultural connection to the artwork.
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