#west-african-modernity

#west-african-modernity

The after-hours special showcase was first tested in January 2024 on the sidelines of the Africa Cup of Nations football tournament hosted and won by Cote d'Ivoire.

In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.

Eshu's proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions.

The inaugural edition is organized around the central theme "Shifting the Center: From Fragility to Resilience," reclaiming African architecture's place as a site of spatial intelligence and cultural memory.

The Embassy of the Republic of Cote d'Ivoire in Pretoria is a contemporary diplomatic landmark that expresses unity, identity, and openness, set among Pretoria's mature jacaranda trees.

Egypt was one of the great crossroads of the medieval world, with many travelers journeying there and recording their impressions of the country and its people.

CAF's appeals board on Tuesday ruled that Senegal forfeited the final by leaving the field of play without the referee's authorisation, and it awarded Morocco a default 3-0 win. The game was delayed for 14 minutes as most of the Senegalese players and staff returned to their dressing room, while Senegal fans battled stewards behind one of the goals in protest against a controversial penalty call for Morocco after Senegal had a goal ruled out.

Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.

We are told that the country is rich in oil. But I don't see that wealth in my daily life. Look at Pointe-Noire, formerly nicknamed as Ponton la Belle [Beautiful Pointe-Noire]. Today, the city is unrecognisable. Around the Grand Marche, the main roads are potholed, and when it rains, the streets get flooded, making it almost impossible to drive.

In the park's center is an eye-catching bronze statue of a larger-than-life Nkrumah, clad in royal kente cloth, with an outstretched hand pointing ahead and one foot in front of the other as if he were advancing forward. Erected on top of a pedestal at the spot where Nkrumah stood to declare Ghana's independence from Britain, it channels the slogan of Nkrumah's political party: 'Forward ever, backward never.'

Eighteen Senegalese football fans detained in Morocco over hooliganism during last month's Africa Cup of Nations (AFCON) final have begun a hunger strike pending their trial. Lawyer Patrick Kabou said his clients told him they have been waiting to learn the charges against them since January 18, the day they were arrested after a heated AFCON final in which Senegal beat Morocco in Rabat.

For the first time in our history, more than 70% of Africans are under the age of 30. This, along with entrenched inequalities, poverty, unemployment and socioeconomic fault lines, is reshaping how our societies interact with one another and the world. This is Africa's most consequential decade. Leaders who take office over the next 10 years will have to deliver on difficult mandates within a political, economic and social landscape that has been fundamentally altered.

Across this week's broader architecture news landscape, a central theme emerges around the advancement of civic architecture conceived as open, publicly engaged infrastructure, with cultural and institutional projects increasingly designed to strengthen their relationship with the city and everyday urban life. At the same time, renewed global attention turns toward Africa, where large-scale transport infrastructure and the conservation of modernist landmarks reflect interests in the region and the reassessment of the continent's architectural heritage.

In case you didn't get the memo, everyone is feeling very Chinese these days. Across social media, people are proclaiming that "You met me at a very Chinese time of my life," while performing stereotypically Chinese-coded activities like eating dim sum or wearing the viral Adidas Chinese jacket. The trend blew up so much in recent weeks that celebrities like comedian Jimmy O Yang and influencer Hasan Piker even got in on it. It has now evolved into variations like " Chinamaxxing" (acting increasingly more Chinese) and " u will turn Chinese tomorrow " (a kind of affirmation or blessing).

Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.

Each artist functions almost as a musical key signature of their own, which together 'refuse the orchestral bombast and goose-step military marches and come alive in the quiet tones, the lower frequencies.' That description comes from Rasha Salti, one of the exhibition advisors who spoke at yesterday's announcement of the roster. It's an apt invitation to think of curation as an act of composition, with Kouoh's vision singing at every turn.