fromThe Art Newspaper - International art news and events
3 months agoA vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds
Henry Moore believed tactility to be paramount, "as an aesthetic dimension", to both the making and the experiencing of sculpture. He really wanted us to be able to touch his work. However, its value and importance now means that doing so in most museums would be considered a big no-no-and for anyone for whom touch provides sight, this is massively restricting.