#undone-aesthetic

#undone-aesthetic

"Monograms let you know that the wearer has achieved a certain level of success; they can afford to [customize something] from a time and a financial perspective."

The Seattle Punk Rock Flea Market is part renegade art gallery, part unfathomable yard sale and part curated vintage mall, showcasing a blend of creativity and commerce.

Anna Holmes defines 'hype aversion' as a reflex against being told what to like, suggesting that popularity can create pressure rather than signal quality. This feeling can lead to a deliberate choice to resist mainstream culture.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

Casa Kahlo offers an unprecedented look into the famed Mexican painter's family home, Casa Roja, which stands just blocks away from Casa Azul in Mexico City. Kahlo would retreat to Casa Roja when Casa Azul got crazy.

Brittany Antoinette Wilson's dad has been a collector for over 30 years, starting with comics and expanding to baseball caps and sneakers. His sneaker collection, now around 500 pairs, reflects his passion for fashion and appearance.

Emily Porter found a woven sweater labeled 'Maria Rodriguez Chicago' at a resale shop, highlighting the significance of local designers in Chicago's fashion history.

I used to save my favorite clothes for a version of my life that never showed up. The blazer stayed in my closet because it felt "too professional" for a normal day. The heels were waiting for a dinner I'd yet to be invited to. The earrings were longing for an occasion that felt important enough to justify wearing them. Meanwhile, I wore the same outfits on repeat - to work, to run errands, to all the places where my actual life was happening.

Naked mermaids and prancing horses, silk carrots and unshelled peanuts, gilded elephant trunks, drums and masks are just a few of the buttons. The V&A's lavish spring show is a weird and wonderful tumble down the rabbit hole that is Schiaparelli, fashion's house of surrealism.

CFGNY is having a big spring. The self-proclaimed 'vaguely Asian' art and fashion collective is in a group exhibition about the production and representation of Asian fashion at Pioneer Works, transforming the third floor into a cardboard-lined shipping container filled with studio portraits shot in Ho Chi Minh City, Vietnam, a growing fashion hub.

It's an interesting connection between that table and these clothes, because Marc Jacobs has been in Wonderland for a few seasons, making garments swollen with great buboes of fabric and wadding that distended and deformed the body, like majestic mutants. They were wondrously otherworldly, outscale and, to most people, unwearable. Intentionally so. This collection, by contrast, brought Jacobs literally down to earth, taking his models off teetering platforms and into plain old high heels.

You might be amazed at how easy it can be to spice up your look, especially with the clever pieces included in this list. Scroll on to shop beauty products that'll get you glowing, accessories and undies that'll accentuate your favorite features, and more. These smartly designed products dial up the heat - and require so little work, they're practically magic. For an instantly sexier vibe, scroll on.

It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.