#time-for-three

#time-for-three

CoHo hasn't just survived, it has thrived and is ascending, and that is largely thanks to the foundation that Cuomo... laid with the young artists who have come up after him.

The Walking Man has been spotted around various New York City subway stations, awarding fans with prizes and terrifying unsuspecting straphangers with an unsettling smile.

Kyoung Chun's creative practice moves between painting and site-specific installation. Interactive works extend the language of painting beyond the canvas, inviting viewers into environments that challenge perception and encourage connection.

The dream is the confusion machine I didn't have to build, a space where perception slips beyond authorship. Within Communal Dreams, influence operates as a subtle signal rather than a directive force.

"There are very few spaces that I go into where I like the mix - often it's the same brands and a regurgitation of things. There are so many people out there doing amazing projects but they aren't necessarily given a formal space. This was a fun excuse to bring people together."

The Sanctuary of Dreams operates as a collective framework for imagining futures, developed within the universe of Toguna World to reactivate dreaming as a shared cultural practice rather than an individual act.

Many critics praised the new building as 'a shot of rejuvenating playfulness' and 'brilliantly subtle,' while others noted it appeared rushed with visible flaws like packing tape on the staircase.

For the Shakers, Dancing is both a means of revelation and a way to do the work of God in the world, Kimerer LaMothe, a dancer and philosopher of religion, said in an interview. To dance is to build heaven on earth.

The entire indoor journey, from entry to elevator to the 100th floor, has been reimagined as a multi-sensory, immersive environment. The overhaul comes via a collaboration between experiential design firm Journey, multimedia studio Moment Factory and NYC-based design outfit SOFTlab.

The title was spontaneous, impulsive. It was inspired by Kenneth Anger. He has two films with 'Rising' in the title - 'Lucifer Rising' and 'Scorpio Rising' - and I wanted to make something in this supernatural, surreal, occultist, exaggerated, fantasy world, like his films.

Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.

Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

No Fun Fest returns to NYC for the first time since 2009 as No Fun New Perspectives, a three-day event featuring avant-garde and improvisational music.

Concrete Waves is the first in a new series by Werkdiscs capturing improvised musical conversations between two avant-garde icons, Actress and Suzanne Ciani.

All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.

The concert features 'Field of Sorrow,' a new work by Juhi Bansal, which sets translations of landays, women's poetry from Afghanistan, for soprano, cello, and piano.

The collaboration marries Yener's distinctive vocals with the punchy sound of Madrigal, resulting in a contemporary track that resonates with emotional complexity.

Officer Scott was sort of born by accident. He was a character in a sketch I wrote, written for a male actor, but I always would direct to give more Chris Farley energy to the character. Unfortunately, the actor that was supposed to play Officer Scott became sick the day before the show, but as showrunner and writer of the sketch, I figured I'd buy a costume and perform Scott myself.

Teatro Fest NYC returned for its 11th year earlier this month, celebrating a history of Latinx identity and performance through 24 unique and original shows.

Aliza Nisenbaum's vibrant portraiture portrays her subjects in bold chromatics, echoing her larger project, a celebratory mural for the Obama Presidential Center.

People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.

Spalding Gray used to perform a show called Interviewing the Audience. The celebrated monologist would invite a stranger he had met in the lobby to join him on stage. Through a sequence of innocuous questions, he would get them to open up about their lives. At one performance, a guest broke the audience's hearts by talking about her daughter's murder. At benefit nights, people living with HIV shared their tales. Other times, the anecdotes would be eccentric or amusing.

When a stranger smiles at you, you smile back. That is why, when Sir Ian McKellen ( The Lord of the Rings, X-Men, Amadeus) walked on the stage in front of me, looked me straight in the eye, and smiled at me, I smiled back. It was the polite thing to do. It was also completely unnecessary, because McKellen was not actually on the stage in front of me. He smiled at me through a pair of special glasses.