#thrashdoom-metal

#thrashdoom-metal

The song possesses a driving and straightforward set of verses, a wide open and gothic chorus, and a sudden 6/8 groove for the solos that feels right out of those classic King Diamond albums.

It was always more rough and violent, says Destruction vocalist and bassist Marcel Schmier Schirmer of Germany's initial approach to thrash. We never tried to be the best musicians we tried to write songs that punched hard. On English heavy metal albums, it was always the first song on the album and the first song on the second side of the vinyl that were the fastest tracks.

I was too embarrassed to sing in my apartment, he says on a video call. But my roommate at the time was dating the preacher's daughter, and had keys to the church across the street. In the dead of night, the madcap bassist and singer took his recording equipment to the empty church, set up on the podium, and first sang his anti-war song Too Many Puppies.

Fenriz describes Pre-Historic Metal as 'a loose term,' stating, 'just figure it's our VIBE, our take on things and it's more a statement that we use old style to create something new.' He emphasizes their identity as metal with 'very loud guitars' and characterizes the music as 'frightfully barbaric but not without finesse.'

It started out as an album full of death metal songs with speed and aggression. Then Chris had the brilliant idea to keep half of those death metal songs and add some groovier songs in the vein of the early SIX FEET UNDER material.

We wanna do two days in Aston Villa [in Birmingham] and then come to America. And we wanna hear from everyone where we should go in America. And also we've gotta find a lot of young, new talent, because that's what [Ozzy] would want. That's what Ozzfest was all about. That second stage, that was the incubator - that's where so many [bands] came out of.

Terror remain a veteran hardcore band that is deeply involved with the current hardcore scene, and every band opening this tour is a band that's shaping the future of hardcore as we speak: LIHC ass-kickers Pain of Truth, Baltimore's charismatic End It, and LA youth crew revivalists Start Today.

Upon going solo after White Zombie's breakup in the late '90s, the one-time noise-rock underdog became metal's demonoid phenom with 1998's Hellbilly Deluxe, a monster mosh of horror-themed industrial-metal that spawned the generational vampiric speedway anthem, "Dragula," along with several other Halloween playlist essentials.

Exodus with Rob Dukes is a whole 'nother beast. "3111" marks the vocalist's return to the fold after last appearing on an album in 2010, and what a return it is. On a song that's about narco killings in Juarez, Dukes gives a sufficiently menacing performance that's startlingly unhinged. The other members of Exodus said Dukes gave "the performance of his life" on the band's upcoming album

The vibe and feel of this new one is almost addictive. We couldn't be happier with how it came out and we can't wait for everyone to hear it! This album takes what we've done on the last couple of records and truly brings it to a new level. The material stays true to our roots, but also goes into some new territory at times, being somewhat ambitious, but taking nods from even our earliest moments.

There isn't one songwriter, and so the flavour of the band is always going to change, says Dave Vanian, reflecting on 50 years of the group of which he has been the sole constant member, the Damned. Captain Sensible is a great fan of syrupy pop music and prog and glam rock. So his writing is very poppy, melodic and quite wonderful.

I'd always assumed I'd just live my life, complain a lot, and die,

"Certainty" is certainly one of the best songs by Black Veil Brides to date. Forget that this is the same band from their 2010 debut album We Stitch These Wounds, because this doesn't sound anything like that, nor is it remotely screamo. Rather, we get high caliber melodic metalcore with some nice alt-rock inflections via the clean singing of vocalist Andy Biersack. He sounds equally strong during the harsh, chuggy parts here, as well.

It wouldn't be a season of A.V. Undercover without an appearance from GWAR, especially when the lineup consists of returning acts, including , Chelsea Studios NYC late last year, it was to join the ranks of Chappell Roan's "Pink Pony Club," and transform "the song's glitter-drenched celebration of identity and self-expression into a full-scale alien-metal spectacle." Mission accomplished: Rhett Miller , and The Wood Brothers . The only real question was which song the intergalactic rockers (by way of Richmond, Virginia) would choose from .

Saturday, July 18 is headlined by Iggy Pop, with Otoboke Beaver, Scowl, The Spits, The Fadeaways, and Primitive Ring rounding out the bill. Sunday, July 19 is headlined by Bikini Kill and also has The Return of Jackie and Judy (aka Sleater-Kinney & Fred Armisen's Ramones tribute band), The Dead Milkmen, Frankie & The Witch Fingers, Frightwig, and Las Nubes.

In an interview with , Sharon revealed that she was recently "talking to Live Nation about bringing [Ozzfest] back." "It was something Ozzy was very passionate about: giving young talent a stage in front of a lot of people," she said. "We really started metal festivals in this country. It was [replicated but] never done with the spirit of what ours was, because ours was a place for new talent. It was like summer camp for kids."

Bass Magazine celebrated all things bass at their annual awards on Thursday night (1/23), which happened at The Observatory in Santa Ana. Les Claypool was one of the evening's honorees, and he performed with Primus, who had a few special guests on hand for the occasion. They brought out Green Day's Mike Dirnt and Tool's Justin Chancellor for "Too Many Puppies," Metallica's Robert Trujillo for "My Name is Mud," and Marcus Miller for "Tommy the Cat." Watch attendee-taken video below.

Dream Fatigue is a new-ish Massachusetts band launched by former Fleshwater/Vein drummer Matt Wood and fronted by Jonali McFadden, and they make shoegazy alt-rock that's not too different from what Matt was doing in Fleshwater. They released their debut LP The Lady In The Sky in 2024, and now they announced a new seven-song EP, No Requiem, due February 13 via DAZE ( pre-order).