#the-second-sex

#the-second-sex

"We do not know what thinking is. But we do know when we are not thinking."

A vision lay before him: Fleet Street blanketed with snow, silent, empty, pure white, and, at the end of it, the huge and majestic form of Saint Paul's Cathedral. It was a spellbinding moment: the great thoroughfare temporarily devoid of carts and carriages, the cathedral looming blurrily out of the still-falling snowflakes a real-life snow globe.

The Chevaliere D'Eon spent most of her life serving King Louis XV before starting the rumor that would allow her to live as her true self, unbothered and carefree.

The Theory of Communicative Action, his 1980s magnum opus, was not (to put it mildly) as accessible as some of his newspaper opinion pieces. But its central idea—that our nature as linguistic beings puts reason and the search for consensus at the core of who we are—remains an antidote both to intellectual relativism and Trumpian realism, which elevates national or individual self-interest above all other sources of human motivation.

I belong to a current of poetry that is meant to be read in public. Houellebecq's statement reflects his philosophy on artistic expression, emphasizing the performative nature of his work across multiple mediums. His musical recordings and public performances demonstrate this commitment to bringing poetry and artistic vision directly to audiences through various channels beyond traditional literary publication.

At the official launch last November, the current culture minister Rachida Dati described the imperative behind the programme as not just celebrating an uncommon visionary but the "burning relevance" of his legacy: "a commitment to continuing to nurture this demanding idea of what culture is".

A prolific polymath, Sand published 70 novels, as well as travel writing, criticism, autobiography, political polemic and visionary essays on the interconnectedness of the natural world. She founded several politically progressive periodicals and became a highly successful playwright. But none of it came easy. When she burst on to the Paris scene in 1831 at 27, writing for Le Figaro, she became immediately notorious as a woman in a man's world.

All of us live in an age where we're bombarded by social media and artificial intelligence - when striving to be your authentic self becomes an increasingly difficult task. Yet, even if it has somehow become a common goal, it is unclear how many of us can truly define the "authenticity" that we say we are pursuing.

Paris' Eiffel Tower features the names of 72 notable scientists - all men. But that is set to change with the addition of another 72 names, this time women who distinguished themselves in the field of science, mathematics or engineering. The city of Paris has revealed the name of 72 women who have distinguished themselves in the scientific field - their names will be written next to those of the 72 men whose names are engraved in gold on the monument.

Putting on makeup. Like, we're supposed to disguise ourselves; otherwise, people think we didn't take this outing seriously, didn't care enough, or didn't act professionally. In some ways, beauty standards are social obligations. Keeping up with nails, clothes, hair, etc., that's almost an expectation in some relationships.

When we talk about our inability to pay attention, to concentrate, we often mean and blame our phones. It's easy, it's meant to be easy. One flick of our index finger transports us from disaster to disaster, from crisis to crisis, from maddening lie to maddening lie. Each new unauthorized attack and threatened invasion grabs the headlines, until something else takes its place, and meanwhile the government's attempts to terrorize and silence the people of our country continue.

"No, not yet. I am waiting until I am serious with someone, and until then, I am only doing oral and mutual masturbation. My reply, "That is sex!" This usually gets a response of, "Well, I meant f*cking," which they equate to sex. Nothing else. I have to remind my clients that fellatio and cunnilingus is called "oral sex" for a reason. That is still sex."

Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.