#temporal-works

#temporal-works

Colostomy Bag Buddies is a PG-13 puppet show with performances scheduled for 4 p.m. Saturday and 2 p.m. Sunday at Maker Space, Portland.

Lopatin's music has spanned genres and mediums, with the composer filling various roles, but its through line is its sense of the uncanny and Lopatin's understanding of how warping sonic textures can tap into surreality.

OOIOO contributes two long tracks, filled with shifting tempos, interlocking rhythms, and metaphysical grooves, while Lightning Bolt gives us five quick, overdriven barnburners.

When performers fall out of sync, even the best improv starts to break down. Innovation is a team sport, and skill alone won't yield favourable results.

Luxart is a site-specific Luminarium created by Alan Parkinson for Battersea Power Station, composed of softly glowing chambers you can explore.

"Most dance studio education in the U.S. still starts with ballet and works towards recitals. But historically, hundreds of distinct dance traditions emerged from cultures around the world long before ballet became the norm in European courts."

The project explores perception through the five senses, focusing on the moment before interpretation, where sensation precedes cognition and experience is formed through subtle emotional and sensory cues.

The opener "Not Not Not" is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymmetrically, grooving like a flat tire.

Light functions as a primary organizing force throughout the work. Domestic illumination, nocturnal lamplight, and mediated light from screens divide the image into overlapping zones of visibility and shadow.

I think it was from a quote or something where I said I wasn't necessarily concerned with the films making perfect sense. My works are a reflection of that chaos and unpredictability.

"I love the way that it allows me to connect as a gallerist with collectors and other artists," Galardi said of Future Fair over a video call.

Isamu Noguchi's exhibition at the Long Island City museum reveals his vision for urban spaces, including a proposed playground in Central Park that was ultimately rejected by Robert Moses.

Grosse's technique of applying acrylic pigments with an industrial spray gun extends the reach of the body, registering the act of painting as movement that unfolds across space.

The Limited Space' series is built around the idea of a figure that has outgrown its space. Through exaggerated proportions and sculptural silhouettes, the body appears too large for the environment that continues to constrain it. Architectural elements and imposed barriers function as abstract limits, pressing against the figure and revealing tension through scale, weight, and posture rather than narrative.

Korneffel develops a palette for each painting based on research and intuition, paying particular attention to the paint's viscosity and its capacity for making distinct kinds of marks.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

A circular concrete ring forms a defined boundary, incorporating a landing and three steps that lead into a contained field of refined sand. At the center of this ring rises a tall cone clad in polished mirrored steel. The composition establishes a clear geometric contrast between the horizontal plane of sand and the vertical reflective surface.

When a stranger smiles at you, you smile back. That is why, when Sir Ian McKellen ( The Lord of the Rings, X-Men, Amadeus) walked on the stage in front of me, looked me straight in the eye, and smiled at me, I smiled back. It was the polite thing to do. It was also completely unnecessary, because McKellen was not actually on the stage in front of me. He smiled at me through a pair of special glasses.