#tehran-museum-of-contemporary-art

#tehran-museum-of-contemporary-art

Resident doctors and interns at the Children's Medical Center have been pooling their own money with some donations to organise activities for the children suffering from underlying health conditions.

The Islamic Republic, which killed hundreds of thousands of people in Iraq and Syria, killed and tortured hundreds of thousands of Iranians in the most brutal way after all these years, and which now wants to have nuclear weapons: we, the Iranian people, who have lived with them for half a century, know how ridiculous their claim to be peaceful was.

The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.

A compleat Persian Palace--there are many minor variations and lesser imitations--is distinguished by its exaggerated moldings, numberless layers of cornices, elaborate grillework and columns galore. A Persian Palace brazenly combines motifs and wantonly disregards proportion and scale.

"This first pleasant experience with a modern painting started me on a road of adventure that has been both exhilarating and satisfying," Pearlman once said of another painting by Soutine, called Village Square. "I haven't spent a boring evening since that first purchase."

An artwork is not created when an artist finishes it. It is created when it's visible to an audience and when it becomes discourse. If there's no ecosystem, nothing works. Central Asia is in the midst of an unprecedented investment in such art infrastructure, including new permanent venues, purpose-built museums, and international biennials.

This targeting success surely owes much to advanced electronic surveillance and deep cyber penetration of Iran's weapons systems and infrastructure. But in this war, as in the 12-day war last year, Israel and the United States are obviously benefiting from intelligence from some Iranians themselves, who are willing to risk their lives to help bring down the Islamic Republic.

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

Distance does not soften the terror. It only deepens my helplessness. In moments like this, I realize that geography is not measured in miles, but in attachment. War rearranges distance. These days I find myself returning to "The Conference of the Birds," the 12th-century poem by Attar of Nishapur, seeking meaning through ancient wisdom about spiritual journeys and transformation.

After the historical Iranian city of Isfahan was targeted by several major strikes, its governor Mehdi Jamalinejad claimed that serious damage had been inflicted even after blue shields were put on the roofs of culturally important buildings. This is an internationally recognized signal under the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

Clouds of smoke had shrouded the metropolis of 10 million, toxic rain blended with oil poured down from the sky, and the sun remained invisible through noon on the morning of March 8. Hours earlier, Israel had launched airstrikes on 30 oil facilities in Tehran and nearby regions, causing explosions that killed six people in the city of Karaj.

Imagine the pressure. You want to compete at your best, but then before even the game starts you have to decide how you're going to stand, how you're going to look and what you're going to do. I just think that's so unfair. The players were confused about what to do. If they salute and sing the national anthem, they are embraced and endeared by the government. If they do that, the fans, the Iranian people hate them.

For over 400 years, the Golestan Palace and its ornate mirror halls, lush gardens, and intricately tiled facade have stood as a testament to Persian opulence and the artistic and political heritage of Iran. The palace, originally built as part of a royal citadel in the 1500s and later renovated and expanded into a royal residence in the 18th and 19th centuries, has remained through centuries of dynastic upheavals, the 1979 Islamic Revolution, and the country's recent history.

The US-Israeli war on Iran is exposing deep divisions among Iranians in the diaspora and in Iran. From inside Iran to the diaspora, Iranians are deeply divided about their country's future. With Ayatollah Ali Khamenei gone and Reza Pahlavi, the son of the former shah, waiting in the wings, what do conversations about regime change reveal about the spectrum of what Iranians really think?

find one another in the dark,

Five bronze towers soar 400 feet above Saadiyat Island, the ever-expanding cultural district just off the coast of Abu Dhabi. The structures-which recall the wings of a falcon, a highly prized symbol in the United Arab Emirates-are the architectural signature of the Zayed National Museum, which opened in December. Two weeks before, another vastinstitution, the Natural History Museum, debuted. They will be followed later this year by the most ambitious of all-the late Frank Gehry's Guggenheim Abu Dhabi.

The poem itself is an allegory: a gathering of birds set out on a spiritual quest, each one embodying a particular human flaw or attachment. Passing through seven symbolic valleys, they face trials and moments of revelation, before realising that the divine presence they seek lies within themselves. That sense of pilgrimage carries into the gallery. You are invited to take your own quiet journey through a wide range of avian-themed artworks inspired by the poem, each offering a different response to its ideas.