#studio-proba

#studio-proba

Pilar Zeta builds environments like dreams that feel like stepping into a thought mid-formation. Her sculptural works take shape in the form of portals and objects that invite direct engagement, as visitors are invited to walk through them and notice subtle shifts in perception.

Ruinart has invited internationally renowned artists to artistically interpret the Maison since 2008, with this year's collaboration featuring Tadashi Kawamata's unique vision.

The dream is the confusion machine I didn't have to build, a space where perception slips beyond authorship. Within Communal Dreams, influence operates as a subtle signal rather than a directive force.

In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.

Studio NEiDA operates at the intersection of architectural practice, research, and curatorial work, focusing on how buildings emerge from the material and cultural conditions of a place.

"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."

"We're constantly striving to strike a balance between work that respects academic rules of composition, established visual codes and good readability, with something more spontaneous, adventurous, playful, even naive."

WeCreate408 invites everyone to participate through simple weekly prompts, allowing individuals to photograph favorite neighborhood spots or sketch meals that evoke memories.

Pictoplasma is the world's leading conference on contemporary character-driven creativity, focusing on storytelling and how characters shape emotion, identity, and meaning.

The 2026 edition signals a more structural shift through collaborations with figures such as Rem Koolhaas and David Gianotten, positioning the Salone as an evolving cultural infrastructure rather than a conventional trade fair.

The after-hours special showcase was first tested in January 2024 on the sidelines of the Africa Cup of Nations football tournament hosted and won by Cote d'Ivoire.

The Featured section highlights projects in newly discovered locations, opening the city's art landscape to diverse, experimental and site-specific approaches.

The new flagship showroom of Ukrainian brand Gunia Project occupies the ground floor of a late-19th-century building on a historic street near the Golden Gate where old Kyiv once began. After three months of careful searching, the chosen space revealed both clear advantages and notable challenges.

Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.

Countering the passive consumption of today's social, political, ecological and informational debacle, artist and designer Jerszy Seymour proposes a necessarily utopian alternative, grounded in cooperative creativity. His interdisciplinary practice engages the transformative potentials of art, design and activism through instinctual and embodied energies.

A new chapter unfolds for the arts in San Jose as Starting Arts prepares to relocate to two vacant buildings in the North San Pedro District this May. The nonprofit, dedicated to student arts programs, will transform a former courthouse and MMA gym into a vibrant hub called The Shared Arts Center of San Jose. Spanning 25,000 square feet at 99 Notre Dame Avenue and 92 Sharks Way, this space addresses the long-standing need for affordable venues where creative groups can thrive together.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.