"[Bias] is that thing that stops you being regarded as a person and makes you something smaller. With my accent, I've had that experience where I'm suddenly no longer a person with infinite possibilities and potential - I am 'that Scottish person'. I'm reduced to a noise that comes out of my mouth."
I don't even know where to begin. I wasn't expecting this at all. I'm so honored and privileged to be nominated in categories with people and actors, and humans, that I love. I love their work and what they contribute to our craft. This ride has been unbelievable. So, thank you for welcoming me in and making me feel seen, bro.
That spectacular failure forced me to do something I'd been avoiding: Separate my identity from my work. It was the hardest growth experience of my life, but looking back, it was also the most necessary. This failure taught me infinitely more than my first company ever did when I sold it successfully.
I feel incredibly grateful for this kind attention, but to be clear, I also am quite humbled. I'm in a room of actors, many of whom are here because they've been nominated to receive a prize for their amazing work, while I'm here to receive a prize for being alive.
Rosanna Arquette spoke about her time on the film in an interview with the Sunday Times in which she said she's "over" the "use of the N-word," adding that she cannot stand that Tarantino "has been given a hall pass. It's not art, it's just racist and creepy."
With all due respect, I'm actually not going to talk about this. I'm laughing because in the intro when you said, 'Oh, yes, we'll be talking about what happened with Bafta', I chuckled because I said, 'No, we're not'.
Is that his character from Babylon? No, that guy's dead (sorry). Is it Bullet Train 2? No, that movie doesn't exist yet. Toward the end of the trailer, however, Pitt's character slams down an Academy Award and that's when it all hit: That's Cliff Booth, the character for which Pitt won his Best Supporting Oscar in Quentin Tarantino's Once Upon a Time ... in Hollywood. Booth is back, but this time he's on Netflix.
The Welsh-born actor had spent much of the decade living in the United States, where he split his time between the stage and the screen, building an utterly respectable career. He had played a compassionate doctor in David Lynch's The Elephant Man, a murderous ventriloquist in the cult thriller Magic, and the real-life convicted child murderer Bruno Hauptmann in the TV movie The Lindbergh Kidnapping Case, for which he had won his first Emmy.