#rusticated-quoins

#rusticated-quoins

Bronze, when shaped by the right hand, holds time in suspension—an argument against decay, against disappearance, against the quiet erasure of the human story.

The financial accounts kept by the fabrique for Girona Cathedral provide exceptionally detailed records, allowing historians to calculate the total number of workers and the average employed per year.

Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.

From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany's Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures.

The style is characterized by raw, exposed concrete and bold geometric forms. You've certainly seen it before in many cultural and civic buildings built between the 1950s and '70s. With countless examples spanning countries and continents, the look has both historical significance and remains popular-particularly in residential design-today.

Our first step was coming up with a floor plan based on our clients' lifestyle. We saw that we could create a guest room/den in the front and a generous primary suite and nursery in the back, with two full bathrooms in the middle within the same footprint where there had been one large central bath.

The intervention 'restored the perception of the monument's original scale and pavement level,' while enabling visitors to approach the structure more directly and understand the sequence of the ambulatory and its arches. This recalibration of levels, based on archaeological findings and geometric studies, also enabled the reorganization of the stormwater drainage system, integrating surface slopes and transitions into the paving design while maintaining coherence with the monument's historical configuration.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

As the weights touch, they get a bit musical and there's a kind of harmonic ring in your wall. It's like the house is alive. But with soulful age come other sounds: rattles, wind whistling through gaps and a homeowner's curses because the blasted contraptions won't open and close properly.

In the UK and the US, it is often crystal clear when your new home is classified as a heritage home or period property, but in France it can be less obvious. You could be breaking the rules simply by installing new windows. So how can you check that your big plans aren't going to upset anyone - or worse, break the law?

I just couldn't live in one of those bland houses, but I didn't have a plan for the interior design here. I simply love colour and I wanted to make the house feel warm and vibrant. The trend for grey and black, or beige and white interiors, has led to a plethora of samey-themed rooms that can look dreary, lack personality, and are unlikely to age well.

What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.

Having explored adaptability at the city scale, we are now zooming in on the building itself-and, crucially, on practice. How can architects, developers, and consultants embed adaptability as a measurable, mainstream outcome? This question will be on the agenda at the Adaptable Building Conference (ABC) on January 22 at the Nieuwe Instituut in Rotterdam, where architects, engineers, policymakers, and industry leaders will explore the potential of adaptable buildings-and how to deliver them at scale.

How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality-from the exposed structures of 19th-century World's Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.

Set within a large agricultural garden in a coastal village near Lezhë, Albania, Red House by Pacarizi Studio explores how a single-family dwelling can respond to changing social structures, climatic conditions, and local building cultures. Designed by Gezim Pacarizi, the 350-square-meter home is organized around an open, partially covered courtyard with a pool at its center. The project approaches domestic architecture as a sequence of perceptual experiences shaped by light, movement, and framing, an idea articulated by the architects themselves. 'What you see through a window can be a landscape, a tree, or architecture itself,' they note.

Ba-rro: "Our starting point is always the context and what already exists." We are interested in recognizing the value of things simply because they are there, without assuming that everything must be preserved as a matter of principle. The question isn't what can be kept, but what deserves to be kept in each specific project. The decision to preserve, reveal, or remove doesn't stem from universal values or a nostalgic impulse, but from a situated interpretation:

The works of this baroque brutalist, who was active until his death in 1997, have been steadily demolished over the past few decades - his Riverview High School in Sarasota in 2009, the Shoreline Apartments in Buffalo in 2020, his Burroughs-Wellcome Building in North Carolina the following year. Multiple Rudolph houses have been lost in the same period. Others remain at risk; the fate of his still-polarizing Boston Government Service Center is exceptionally unclear. Nature has been cruel as well, washing away his Sanderling Beach Cabanas in Sarasota in a 2024 hurricane.

Picture this: you're knee-deep in renovation dust, crowbar in hand, when something unexpected tumbles from behind century-old plaster. A yellowed envelope? A strange metal box? That moment when your heart skips because you realize you might have just found something extraordinary. For some lucky homeowners, these discoveries turn out to be worth thousands of dollars, transforming a simple home improvement project into an unexpected treasure hunt.

Qingshan Wu "Ay" () is a type of black-glazed ceramic indigenous to the mountainous region of northeastern Fujian, positioned between pottery and porcelain.