A good kitchen rug will follow a particular set of criteria. First and foremost it should be washable, because the kitchen is a dirty place. The second criteria is that it should be interesting, as an interesting texture, pattern, or color scheme can obscure the inevitable accumulation of wear.
Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.
The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.
In 1971, Manolo Blahnik created shoes for the designer Ossie Clark's catwalk show in London. Relatively new to shoemaking, the Spanish designer forgot to put steel pins in the heels of the shoes, which meant that models wobbled, unbalanced, down the catwalk.
Paris didn't invent shopping (even if it sometimes feels that way), but it arguably invented the specialty shop as we understand it today. Long before concept stores, lifestyle retail, or anything resembling "curation" entered the vocabulary, Paris was already organized around doing one thing extremely well -and it still is. From cheesemongers to winemakers and beyond, specialization remains the point.
It's long had a reputation as the city of romance, but now the French capital is supporting a growing number of businesses that will arrange an extravagant marriage proposal in a landmark setting - for a hefty fee, of course. The luxury marriage proposal business is booming in Paris with agencies charging international clients thousands of euros to pop the question in a 'romantic' setting in the City of Love.
When it comes to the ultimate easygoing, elevated bedding, you'll want to reach for the best linen sheets. This fabric is an old faithful with great range, seen everywhere from Scandi-style beach houses to cozy, colorful city apartments, owing to their breathability and relaxed look. And while you may think linen is just for summer and waterfront locales-yes, the moisture-wicking fabric works beautifully for body temperature regulation-the cozy, long-lasting material has become increasingly popular year-round for sheets, duvets, and shams for any style or space.
Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.
There's something about trendspotting in France that just hits differently. Maybe it's the Haussmannian architecture, which provides such a charming backdrop that you almost don't even notice you're literally running from showroom to showroom. Or maybe it's the fact that some of the brands on display truly are new - and in some cases, not even available stateside yet. Whatever the reason, I look forward to Maison&Objet and Paris Déco Off, two furniture- and textile-forward events in Paris, each January.
The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.
Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.
My husband and I just upgraded our apartment here in Germany to one with much more space. The downsides of this is we have hard marble floors and a tall-ceilinged living room (oh woe is us!). It's very echo-y and looks directly into our neighbors across the street. The windows have external shutters, so light-blocking isn't needed, but we'd love to get
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.