#notre-dame-de-namur

#notre-dame-de-namur

The splendid art nouveau Les Brigittines is a Belgian culinary institution, where chef Dirk Myny has overseen the kitchen for 35 years. He daringly reinterprets classic Flemish recipes with dishes such as smoked eel mousse and succulent pork belly with a tart cherry ale vinaigrette.

Travelers often overlook tiny European countries, but, as I discovered on a recent trip to Luxembourg-Europe's seventh-smallest nation, with a population of just 699,000-there's much to discover in these hidden gems. Last summer, I visited my aunt, who has lived in Europe for over 20 years, with stints in Paris, Vienna, Zug, Switzerland, and now, Luxembourg. We spent three days touring the historic city nestled between Belgium, Germany, and France. It's built on a rocky plateau overlooking deep gorges, a sweeping canyon, and surrounding countryside.

The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.

The new lookout point at Point Vue le Jambon in Vresse-sur-Semois is conceived as a discreet and respectful gesture within an exceptional landscape. Rather than asserting itself as an object, the project carefully embeds architecture into the terrain, allowing the site's natural qualities to remain central to the experience.

No introduction to Saint-Malo is complete without a stroll along the ramparts. These granite walls, rebuilt and reinforced over centuries, encircle the intra muros, the historic heart of the city by the port. The nearly two-kilometer circuit offers sweeping views of the Atlantic, the Fort National, and the distant Grand Bé. Walking the ramparts is like pacing the city's memory: narrow streets below hide cafés, boutique shops, and layers of architectural history.

I fell in love with painting when I discovered Monet's water lilies and this idea of painting something that's in movement. And then I got obsessed with the face and the portrait, which is a bit the same, this kind of fleeting aspect of identity that you cannot really grasp or catch.