#neo-noir

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#1998-new-york-city #order-vs-chaos #private-lives-vs-public-spaces #sex-and-violence #crime-thriller
Film
fromThe New Yorker
1 week ago

"Caught Stealing" Makes New York a Comedic Criminal Nightmare

Caught Stealing finds the right scale and scope, balancing order versus chaos through intimate torment and mapping private lives onto public urban spaces.
Film
fromThe New Yorker
2 weeks ago

"Honey Don't!" Revives the Spirit of the Coen Brothers' Movies

Honey Don't! foregrounds sex and violence while leaning on familiar neo-noir tropes, generating visceral energy that ultimately feels decorative despite occasional substance.
Film
fromRoger Ebert
3 weeks ago

One Final Look: Terence Stamp (1938-2025) | Tributes | Roger Ebert

Terence Stamp's portrayal in 'The Limey' showcases his ability to blend personal tragedy with understated emotion.
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