"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."
TeamLab Planets quickly made a name for itself after opening its doors in 2018. It holds the Guinness World Record for the most-visited museum dedicated to a single group or artist, bringing in more than 2.5 million visitors from April 2023 to March 2024.
Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.
Kobe is a city where the sea and mountains are close together, with its urban area spreading across the slopes at the base of the mountains. In the Sannomiya area, the current city center, the most important urban axis connecting the sea to the mountains is Flower Road, running north-south from Shin-Kobe Station to the port.
SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.
While Hopkina, who is based in New York and Massachusetts, has been included in many local group exhibitions and screenings, Basso dives deep into the artist's work with six films created over a nine-year period. As a member of the Ho-Chunk Nation/Pechanga Band of Luiseño Indian, Hopkina's use of poetry and atmospheric aesthetics is not only visually compelling, but mines the edges of linguistic, visual, and cultural legibility.
The Limited Space' series is built around the idea of a figure that has outgrown its space. Through exaggerated proportions and sculptural silhouettes, the body appears too large for the environment that continues to constrain it. Architectural elements and imposed barriers function as abstract limits, pressing against the figure and revealing tension through scale, weight, and posture rather than narrative.
I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.
Residence AV is a courtyard house located in a dense residential neighborhood in Bruges, Belgium. Designed by YAMA architects, the project responds to a paradoxical brief: a strong desire for connection to the surrounding context combined with an equally strong need for privacy. The client, living alone, was attracted to the social presence and perceived safety of the neighborhood, yet sought a dwelling that could withdraw from direct views and support a more introspective way of living.
This project is an architect's home and office located in a densely populated residential area of Tokyo. As there were other houses adjacent to the boundary of the site on all sides except for the north side, where the road is located, it was decided to install a large window facing the road, but the challenge was how to create a bright garden view through the north-facing window.
Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.
Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."
Digital by Nature: The Art of Miguel Chevalier at Kunsthalle München presents the artist's largest solo exhibition in Europe to date, curated by Franziska Stöhr. The exhibition surveys Miguel Chevalier's practice from the early 1980s to the present, tracing his sustained engagement with digital technologies as both tools and subjects of artistic inquiry. Born in 1959 in Mexico City and based in Paris, Chevalier has worked with computers as a creative medium for more than four decades.
CHICAGO - With her iconic long dark hair curtaining her demure countenance, Yoko Ono has been in my personal pantheon of women makers for most of my life. When I was a distraught teenager in a midwestern suburb, she was there - singing discordant arias from my bedroom stereo. Her siren call couldn't quite be deciphered, but, like a feminist signal from afar, it cut through the fog of oppressive cultural forces.
Taking over the museum's transformed school building starting April 16, the cross-borough survey will celebrate MoMA PS1's 50th anniversary with a bevy of site-specific installations, new commissions, and rarely seen work by 53 artists and collectives living and working across New York City. A complete list of participants is included at the end of this article. This year, Greater New York will coincide with the Whitney Biennial for the first time in the show's history.