"Every time we've gone, when we come back home, they are glowing for a while. They are more bought into what we are doing. They are more inspired to work harder. They are super excited to play."
All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.
The wildly talented Bérubé has played violin with everyone from Stevie Wonder to Death Cab for Cutie. From touring nationally with the Broadway musical Hamilton to touring the world, Bérubé is in search of new experiences and challenges.
It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.
Through Disney Musicals in Schools' Stage Connect, educators are given free resources like show scripts, music tracks and training that give them the confidence they need to produce a school musical. The program makes musicals and bringing the magic of Disney into public schools more accessible for all.
Cuts that hurt are obvious: layoffs, program closures, college closures, furloughs, deferred maintenance, pay freezes, travel freezes, etc. It's a well-worn playbook at this point. Most of the moves in this category involve either attacking employee compensation, which causes obvious pain, or putting off necessary investments and living with gradual declines in quality.
This is a striking decision at a moment when public confidence in higher education is eroding. It is also puzzling because rigorous research and evaluation have demonstrated, over and over, the value of the work of centers for teaching and learning, including positive impacts on student learning outcomes, institutional effectiveness and faculty development.
At the end of November of 2011, I saw my dad take his last breath. I came back to the United States after participating in all the death-related rituals that helped organize my pain in México. New York City was not a place to live my mourning, and right around December of the same year, I felt an intense longing to become small again. I needed to work with children.
A socioeconomic duty on public bodies was included in 2010's Equality Act, but has never been enacted. Now Class Ceiling, a review from Manchester University, co-chaired by the former chief prosecutor Nazir Afzal, is calling for change. It wants class to be made a legally protected characteristic like race and sex (and several others), to address the class crisis in the arts not just in the north-west but across the UK.
This is an absolute beginners course on the foundations of classical ballet and, a single catastrophic line dance lesson aside, it is also the first dance class I have ever attended. I am in the minority. As we take the barre, it quickly becomes apparent that not being able to tell my left from my right will be a significant deficit over the next 16 weeks. This, however, is a tertiary concern.
I have written before that while women are gloriously surging in academic, social, and career achievement, many young men are flailing. Pop culture pieces as well as academic dissertations are replete with accounts of male aimlessness and resultant disaffection and disengagement. They point out that the growing achievement gap and resultant maturational/responsibility gap between men and women are making young men progressively less and desirable to modern young women.
Every Sunday morning for the last seven years, I have walked into a noisy room filled with students to teach a heated vinyasa class. Noisy as in locker room, celebratory night out, restaurant level noisy. It's a far cry from the quiet shalas I spent years practicing in, spaces where so much as a whisper was frowned upon. I am a rule follower by nature. I respect a "shhh quiet" policy that some studios and teachers enforce.
The concept of the BANI World was proposed by Jamais Cascio in 2018 and further refined in 2020 to describe four major characteristics of future society: Brittle, Anxious, Nonlinear, and Incomprehensible. Compared to the previous VUCA ( Volatility, Uncertainty, Complexity, and A mbiguity) World, the BANI World more accurately depicts the increasingly complex and volatile global situation and trends. "Brittle" refers to social systems being more susceptible to shocks and damage, often accompanied by the risk of sudden collapse.
The Left Coast Chamber Ensemble will perform Richard Strauss's Metamorphosen among other musical works on Saturday, Jan. 31. Credit: Left Coast Chamber Ensemble If you haven't seen it yet, catch Kala Art Institute's latest exhibition, Bookness, before it closes on Feb. 11. The exhibition explores how the book has evolved as an artistic medium throughout history. There will be a reception for Bookness on Feb. 8 at the Oakland Marriott City Center. 2990 San Pablo Ave. FREE
Designed by Korean up-and-comer Woojin Yang, Everglow is a handheld mini-keyboard that fits into any bag. The "musical sketchbook" of sorts allows artists to quickly jot down ideas when they're not in front of their instruments or computers. The sleekly-designed device comes with a generative AI-based sound system that allows them to iterate and develop a song on the spot, not just transcribe the initial tune.
I've just given a keynote presentation at Lines of Flight: Improvisation, Hope and Refuge, a conference hosted by the International Institute for Critical Studies in Improvisation. I'd been invited to talk about my performance research with Dálava, a cross-genre project that is influenced by animist, Slavic cosmology and a land-based folk song tradition that has been in my family for generations.
The highly impressive group reflects the current state of jazz, where both young guns and veterans are combining to bring the music to a new swell of fans. To talk about the present state of jazz, The Times brought together 26-year-old Joy and 75-year-old Bridgewater. What followed is an incredible conversation on politics, race, equality and mutual fandom. You both have had Grammy success.
They were well represented among the awards focused on workforce training but were shut out when it came to addressing larger social issues. To be fair, FIPSE wasn't alone in ignoring community colleges. As Karen Stout pointed out this weekend, The Chronicle 's quarter-century forecast drew on 50 experts from across higher education to talk about emerging trends; only one was from a community college.
