#mexican-history

#mexican-history

"The popular conception of the ancient Maya society is that they underwent a major collapse. Archaeological investigations at Ucanal and elsewhere, however, show that there was not a collapse everywhere and that ancient Maya peoples resiliently reworked their governing systems."

The discovery comes on the heels of other recent discoveries of Mesoamerican and colonial-era sites and artefacts during archaeological salvage work associated with planning a new 232km passenger rail line between Mexico City and Querétaro.

The map shows a city labelled Temixtitan built on islands in Lake Texcoco. Four causeways in the cardinal directions connect the mainland to a central plaza, which contains two sacrificial temples.

These women artists were in museum collections, but they were barely shown. The challenge was to do enough research to find common themes and bring them together.

The momoztli altar measures about one meter square and consists of three sections: a base of andesite quarry stone, a second section of larger slabs, and a top section of river stones and basalt.

The Basque government has made the transfer of Picasso's painting a matter of regional pride, viewing it as a gesture of historical remembrance and symbolic reparation toward the Basque people.

It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.

Archaeologists in Mexico have uncovered a 1,400-year-old tomb in the Central Valleys of Oaxaca that had been lost to history. The stone structure, built by the Zapotec culture, known as Be'ena'a, or 'The Cloud People', is adorned with sculptures, murals and carved symbols that suggest ritual significance. The Zapotec believed their ancestors descended from the clouds and that, in death, their souls returned to the heavens as spirits.

Before the 1970s, ancient Maya history was impenetrable. The civilization's grand ceremonial buildings and striking art, created in parts of Mesoamerica during the Classic Maya period (ad 150-900) had tantalized foreign visitors since the arrival of Spanish conquistadors in the sixteenth century. But no one, including several million twentieth-century speakers of Maya languages, could read the ancient Maya hieroglyphs.

Spirits brand Clase Azul México will soon open a brand-new home in the city's Polanco area on Feb. 17, offering guided tastings, rotating art installations, private events, and more. The new address, dubbed "Casa de Los Leones," or House of the Lions, was built in a historic mansion where original elements like stained glassed windows were preserved, juxtaposed with contemporary design.

Taking over the colourful Casa Gilardi, Luis Barragán's last commissioned residence, built for the advertising executive Francisco Gilardi in the mid-1970s, the German artist Gregor Hildebrandt transforms the house's stylish rooms with an ever-expanding exhibition of his enigmatic works across various media. Known for transforming outmoded analogue recording media-including audio cassettes, VHS tapes and vinyl records-into paintings, sculptures and large-scale installations, the Berlin-based artist's conceptual works explore themes of memory, nostalgia and the physical representation of intangible sound and sight.

"The new venue has allowed us to develop the experience of the fair-it lends itself to being more of a destination," Brett W. Schultz, the co-founder and director of Material, tells The Art Newspaper. The fair features over 70 exhibitors this year, with an especially strong contingent of Mexico City galleries that, like Material, have been around for a little over a decade.