Terry Jones was a Python, a historian, a bestselling children's author and a very naughty boy. He loved to play women in drag, started a magazine about countryside ecology (Vole), founded his own real-ale brewery and was even once a columnist for this newspaper, beginning one piece in 2011 like this: In the 14th century there were two pandemics. One was the Black Death, the other was the commercialisation of warfare.
Although a lot of medieval history is murky, the whys and wherefores - not to mention the timeline - of the Hundred Years' War are firmly nailed down. Or are they? This week, Danièle speaks with Michael Livingston about why the Hundred Years' War should actually be called the Two Hundred Years' War, what actually touched off the conflict, and why we should question everything.
Villeneuve lez Avignon has a long and rich history. Legend has it that in the 1 st Century AD, Saint Martha, the Patron Saint of Avignon "resurrected" a shepherd from the town after he drowned in the Rhone (resurrections were rather more frequent in those days). Some 400 years later, another Saint settled in Villeneuve as the locals call it, a Visigoth princess-hermit who devoted her life to God on Puy Andaon, the hill that dominates Villeneuve.
Orderic Vitalis’s narrative of the First Crusade in the 1130s reveals how crusading narratives were shaped for monastic and regional audiences in medieval Europe, emphasizing the achievements of Norman figures.
The entry of Central Europe into history defies straightforward assumptions; some connections will probably remain forever hidden behind the abyss of time, while for others, conjecture will have to suffice.
The second reason for seeing the connection as a strategic pact between Pisa and Denia - and this is the circumstantial evidence - lies in the configuration of military actions across the eleventh century.
In all three scenarios, those annals were written some time after the alleged events they describe, and - in the case of /E and D - by chroniclers who were collaborating to create a narrative that had been purged of uncomfortable details.