Fashion & style
fromEsquire
15 hours agoMatt Bomer Couldn't Care Less About Looksmaxxing
Matt Bomer discusses his jewelry choices and their symbolic meanings during a conversation about fashion and personal connections.
The installation invites visitors to look through the tangible surfaces to recognize the traces of the creators, visions, and identities that brought them to life.
For many of these sophomore efforts, however, the results felt tentative or overworked, with critics questioning direction and coherence. Bottega Veneta was the clear exception. Louise Trotter's collection stood out for its chic restraint and disciplined focus-understated rather than attention-seeking-grounding itself in craft, proportion, and material integrity instead of spectacle.
Rafael Leao posted a photo with Francesco Camarda, the two sharing the sponsorship of Adidas. Today, the Portuguese took centre stage in a different way: he walked the runway for Adidas' mega show. He was joined by other top-flight footballers, including Davide Frattesi, Federico Dimarco, and Giacomo Raspadori.
I think everything starts for me with authenticity. Collaborating with a brand like Porsche is such a great privilege. I'm a huge fan to start with, but it's authentic because my passion for the brand goes as far back as I can remember.
As an interdisciplinary artist, Madita defies simple categorisation, moving fluidly between the worlds of fine art, fashion, and performative expression. In this photo editorial, Madita proves that the artist and the artwork are often the same.
People have a lot of ideas of what Chanel is, or rather what it should be. One word that doesn't come up much, though, is rebellious - yet that's exactly what Chanel the woman was and what Chanel the house remains. Rather than rebellion, 'paradox' was the word used by Matthieu Blazy, Chanel's artistic director of fashion collections, backstage after his debut show for the maison in October.
Everybody thought I would make oversized bomber jackets with monograms, said the mononymous king-of-the-hoodie designer after the show. That's what ChatGPT said, apparently. But that's not why I came to Gucci. Instead, he said, his Gucci will be energy, passion, fun and sex.
It's an interesting connection between that table and these clothes, because Marc Jacobs has been in Wonderland for a few seasons, making garments swollen with great buboes of fabric and wadding that distended and deformed the body, like majestic mutants. They were wondrously otherworldly, outscale and, to most people, unwearable. Intentionally so. This collection, by contrast, brought Jacobs literally down to earth, taking his models off teetering platforms and into plain old high heels.
Even for the largest, most resourced fashion houses, delivering a cohesive capsule of menswear that lives up to increasingly astronomical expectations - all while facing a cutthroat seasonal cycle and mounting industry consolidation - is a momentous task. More so when they haven't shown for 20 years. Then again, as Mr. Lauren has proven time and again, it is ill-advised, if not downright foolish, to bet against him.
Continuing its journey of consistent, evolutionary development, the collection embodies Lardini's Code of Making: craftsmanship as a cultural value, an aesthetic stance, and a catalyst for innovation. The intersection of traditional tailoring and technological precision culminates in materials that convey meaning, while process quality emerges as the true luxury. The FW26/27 collection unfolds through four interwoven expressions: Contemporary Tailoring, Iconic Outerwear, Knitwear Layering, and Sophisticated Casual, creating a coherent yet understated aesthetic.
On the first day of Berlin Fashion Week, Maqu unveiled its Fall/Winter 2026 collection, La Dama del Cacao, a masterful exploration of contemporary Peruvian minimalism. This capsule collection is a testament to material innovation, embodying a thoughtful design philosophy that marries textile memory and regenerative principles. Crafted from luxurious alpaca yarns, organic cotton, and pioneering biomaterials, each piece is a result of meticulous hand-knitting techniques and artisanal machinery.
Rooted in the heart of Milan, Fiorucci has continuously merged expressive design with everyday practicality, crafting collections that encourage personal styling and a lived-in feel. The spirit of Fiorucci comes alive under the direction of Creative Director Francesca Murri, who brings a fresh perspective to the brand's legacy. Her contemporary vision reinterprets the utopian optimism for which Fiorucci is celebrated, skillfully transforming creativity, emotion, and the essence of freedom into modern wardrobes suitable for today's fashion-forward individuals.
Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.
Studying abroad in Florence was one of the best decisions of my life for a multitude of reasons-I lived like a true local, ate some of the best meals I've ever had, deepened my appreciation for art and history, learned Italian, and was able to travel to five countries and two continents in just three and a half months. But most importantly, it immersed me in a culture where personal style is second nature, quickly teaching me how to dress in a sophisticated, timeless,