#martin-quinn

#martin-quinn

"I wonder why I wanted to be famous," she muses now, as we sit across from each other in The Pavilion cafe in Cork.

Bryan Dobson stated, 'After nearly four decades at RTÉ, I found retirement to be a new chapter, filled with family time and personal projects.'

"I haven't heard him sing yet," Flannery confesses, in answer to the burning question, when we sit down after a rehearsal in Nuns Island theatre in Galway.

You know, this story is a bit different, right? We always do the Bird-Magic thing where we combine the narratives of Larry Bird and Magic Johnson. And really, what I wanted to do with this book was just tilt the camera a little bit differently, change that perspective and zoom in on that origin story in rural Indiana in the 1970s.

Quinn's founder, Caroline Spiegel, described Ember & Ice as a mashup of Brokeback Mountain and A Court of Thorns and Roses, featuring two young men who have a secret romantic relationship.

My earliest independent reading memory is The Story of Ferdinand by Leaf and Lawson. I loved that bull! My favourite book growing up Big books gave me the whirlies so it took a while for them to start landing.

The scenario of a debut writer receiving a six-figure sum from a major publisher is a common fantasy, but it is based on misconceptions about the writing profession.

One of Caroline Alwright's earliest memories is sitting in a box of bananas, watching and listening to her granny and mother selling fresh fruit and vegetables on Moore Street. Alwright, who is 68, is the fourth generation of women in her family to work on the busy market street.

With literacy rates declining across OECD countries, building healthy habits around books is truly essential. Allowing reading at dinner started as one of those on-the-spot parental solutions. Letting them have a copy of Bunny Vs Monkey or The Beano while they ate seemed like a more ethical solution for keeping them in their chairs for the duration of the meal than, say, duct tape.

It might sound like a potentially familiar narrative: a queer coming-of-age story, charted across one single heat-crazed summer in the 70s. From its very first paragraphs, however, this debut novel feels different. Madeleine Dunnigan immediately takes us inside the head of her rather scary protagonist, and makes his adventures in teenage lust and self-awareness as involving as they are immediate. The writing is constantly surprising, as unafraid of sensuality as it is of the story's repeated eruptions of brutality.

From the outset, in the novel's prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with actual events, evidence-based or relying on historical data. No, Anna is interested in the climate of the psyche and the vibrations of the soul. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?

Trope, POV, backstory, character arc. In the 30 years since I was a student of that benign, pipe-smoking, elbow-patched man of letters Malcolm Bradbury, the private language of creative writing workshops has taken over the world. What writers used to say to small circles of students in an attempt to help them improve their storytelling technique has become a familiar way, often parodic and self-knowing, of interpreting the grand and not-sogrand narratives of our time.

Daniyal Mueenuddin joins Deborah Treisman to discuss 'Two Pilgrims,' by Peter Taylor, which was published in The New Yorker in 1963.

Finnegan's Wake: An Immersive Ghost Story, presented by 13th Floor Theater, plunges audience members into the beautiful, dysfunctional Finnegan-Plurabelle family. Scenic designer Treigh Buchet, lighting designer Meghan Schultz, and ephemera designer Michelle Josette Crashette transfigure the San Francisco Mint into an Irish family home on the banks of a mystical river. Audience members are free to explore the spaces before the show begins with libation in hand. When the dinner bell rings, the show commences.

Movies like Die My Love, starring Jennifer Lawrence, show an almost logical unravelling of a mum facing modern pressures

Jean is, in the words of its author, a novel about "alienation, told from the inside out". Set at a reform school over the sweltering summer of 1976, the heat rises as Jean fights (and fucks) the other boys, conflict and desire coalescing until the novel reaches its conclusion: his decision to walk out of his life for good. Dunnigan explores the ethics of early sexual experiences, British class dynamics and the crushing weight of - particularly masculine - conformity.

The ghost of a previous lover is always a challenge, particularly if you (mistakenly) believe that she's actually dead. This is the unenviable situation for Lily, the protagonist of O'Farrell's second novel, who is swept off her feet by dashing architect Marcus and in short order moves in with him. Lily takes his assurances that her predecessor Sinead is no longer with us to mark a more permanent absence;

Sophia Stewart poses a choice that many biographers struggle with: "what to do with the boring bits."

Skip to main content Illustration by The New Yorker; Source photograph Michael Lionstar Listen and subscribe: Apple | Spotify | Google | Wherever You Listen Sign up to receive our weekly Books & Fiction newsletter. Joseph O'Neill reads his story Light Secrets, from the January 26, 2026, issue of the magazine. O'Neill is the author of a story collection and five novels, including Netherland, which won the PEN/Faulkner Award for Fiction in 2009, The Dog, and Godwin, which was published in 2024.

You are leaving work, your suit still damp from the morning's downpour, the skin on your palms peeling. You are clutching two supermarket bags, tins of cream soup and tuna knocking against one another. The rain is hard and your anorak is cheap. You are on your way to Stockbridge, to your parents' house, which only your father inhabits now that your mother is gone.

The book that changed me as a teenager Donald Barthelme's Sixty Stories, because he was having such a good time and seemed so so smart, but was also mischievous and irreverent. It may sound corny but these stories made me grasp the existence of a world of art and literature. And Barthelme lived in Houston, where I was growing up, yet he was a major world writer.

A writer is a kind of magician. Their job is to create living, three-dimensional people out of the ordinary stuff of ink and paper. This is no easy task, because readers can't literally hear, touch, or observe a character. Everything that defines a human being in real life-the physical space they occupy, or how they smell, feel, and sound-is stripped away, replaced by description. But authors have one major, mystical advantage: They can show you what's happening inside of someone's brain.

A great demolition is also an act of creation, so long as its execution is bold and impressive enough, so long as it clears out the dead wood and opens up the terrain. It's the ethos that links Pablo Picasso to 1970s punk, Shiva the Destroyer to the anarchist hero of Joseph Conrad's The Secret Agent. Rip it up and start again. Or rip it up for the pure thrill of the ripping.