#madang-courtyard

#madang-courtyard

The Hanwha Seoul Pompidou Center is conceived as both an exhibition venue and a meeting point where education and art converge, offering adaptable spaces to host a broad range of activities.

Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size.

Jungsuk Lee's paintings blend wistful figures and starry nights, creating dreamlike scenes that evoke nostalgia and a sense of longing for fleeting moments.

The architectural approach emphasizes simplicity, durability, and contextual integration, with brick as the primary material for its structural capacity and long-term performance.

The first fragment was discovered in 1937 on the Wolseong Palace site, measuring 13.62 cm wide, 11.13 cm high, and 9.75 cm thick, with partially damaged inscriptions.

The campaign explores the relationship between graphic identity and natural motifs, with the S-check pattern reinterpreted through cherry blossom imagery, establishing a contrast between graphic order and natural variation.

K-Beauty continues to grow, with increasing global and domestic interest. In particular, visitors to Korea now engage with everyday beauty experiences such as hair salons, dermatology clinics, and beauty brand pop-ups as key parts of their travel itineraries.

Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.

Seongsu-dong is Seoul's creative hub, where old warehouses and factories have been transformed into design studios, cafés, and showrooms. Often referred to as 'the Brooklyn of Seoul,' the industrial infrastructure, pop-up scene, and design-led façades make it a photo-friendly destination favored by many design-loving visitors.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Korean culture has become a familiar presence in American life. K-pop dominates global charts, K-dramas have become staples on streaming platforms, Korean food has moved from specialty shops to neighborhood grocery stores, and K-beauty brands line retail shelves nationwide. As Korean culture reaches new audiences, Korean Treasures: Collected, Cherished, Shared traces the artistic traditions that have shaped today's cultural momentum.

The project took six years from initial strategy to completion, with the design evolving from form-first to function-driven, and finally to a moderately diversified approach.

Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.

Instead of functioning as decorative greenery, the courtyard organizes circulation, gathering spaces, and planting into a three-dimensional landscape where residents can move, pause, and interact. The site presented several typical urban challenges. Tall buildings restricted sunlight and views, while circulation routes occupied much of the available ground area, making open space feel narrow and shaded.

The building is organized around a series of repetitive vertical concrete fins that define the primary system. These elements operate as climatic filters, spatial thresholds, and structural components, establishing a rhythmic articulation across the elevation. Their spacing creates varying degrees of permeability, regulating natural light while framing controlled views toward the distant topography.

The selected site offers reduced urban intensity during working hours and direct visual access to surrounding greenery. The decision to locate the office here was driven by the relationship between workspace and landscape, prioritizing framed views of nature as part of the daily working environment.