Considering how this experience could be expressed artistically, he conceived "Domestic Light," which for two years used windowsill sensors in nearly 100 sites globally to record what he describes as "multispectral traces of home."
The design here is so visually dense that it commands your full attention. Every surface is covered in saturated oranges, hypnotic swirls, or bold cheetah spots, creating a total environment that feels completely detached from the outside world. This level of immersion is a deliberate choice, engineered to produce highly shareable content. The entire experience is a meticulously crafted backdrop for social media, and that's not a criticism; it's a recognition of a very shrewd and effective design objective.
Spanning over 10,000 square meters, teamLab Biovortex Kyoto is now the collective's largest exhibition in Japan, and perhaps its most conceptually daring. Designed as part of the Kyoto Station Southeast Area Project, this new museum isn't just an addition to the city's cultural landscape - it's a living, breathing ecosystem of light, sound, and movement. Located in Kyoto's Minami-ku district, this permanent museum marks a monumental chapter in teamLab's creative evolution, blending technology, environment, and human experience in one breathtaking, ever-changing space.
Variously described by Fordjour as a "giant music box in the dark," an "acoustic wilderness," and "a conjuring," Nightsong immerses viewers in an atmospheric sensorium whose aesthetic and thematic depictions trace Black musical history as it manifests, evolves, and travels through time and genre. While Fordjour has long drawn on music and theatricality in his two and three-dimensional artworks, Nightsong brings these subjects to exuberant life, as numerous vocalists perform an original, four-hour songcycle, composed exclusively for the exhibition, across a spatial, multi-room nightscape.