Meininger, who grew up in Germany but now lives in London, likes making things. So when he saw how much his young sons enjoyed the jungle gym and play forts at the local park, he made an indoor treehouse for them.
"To address housing affordability in our community, we need all types of affordable housing options, including affordable ownership opportunities that allow individuals and families an opportunity to build equity alongside housing stability," said Santa Clara County Supervisor Betty Duong.
The 135-year-old building has remained shrouded by plywood to protect passersby from the crumbling stone, which has formed a reddish beach on the shed below. The church's congregation dwindled to 12 members and had to fire its pastor to save money.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
The original intent of pilotis was to create a sense of lightness that would allow circulation and light to flow beneath a structure, but contemporary requirements render thin columns insufficient for large-scale civic projects.
My family had Slide Show Night when I was growing up. Not every Saturday, but a whole bunch of Saturdays. Either my sister or I would be in charge of setting up the projector, the screen, and loading the carousel. During the show, there'd be a few landscapes or skylines taken during vacations, but almost all the shots were up close. Like most dads, mine wasn't a professional photographer, but he did a good job of capturing memory triggers: faces, gestures, and decorations.
Inside Climate Pledge Arena, a large-scale media installation titled Turn the Tide transforms two interior walls into an architectural interface combining environmental imagery, and . Designed by Digital Kitchen within the arena by , the installation spans nearly 400 feet across the building's east and west walls. The intervention is integrated into the spatial environment of the arena, which is recognized as the world's first net-zero carbon certified arena.
Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection.
As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.
A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.
tqtq studio + 46 More SpecsLess Specs tqtq studio Text description provided by the architects. UNI-CENTER project renovates Hanyang University's existing Student Union, located along the main pedestrian axis connecting the subway station, the main building, and the welfare center, into a welfare-centered, multi-functional community hub for students. The design goes beyond simple functional enhancementit restores the building's sense of place and redefines it as a central node within the campus circulation network.
Leisure spaces are often where different generations cross paths. Without formal programs or assigned roles, they allow people to move, pause, and remain together, each engaging space in their own way. In a built environment increasingly shaped by specialization and separation, these shared spatial grounds have become less common, giving leisure-oriented architecture a renewed relevance. Discussions around public space have repeatedly pointed to the value of openness and flexibility in supporting collective life.
The three-storey building features a scalloped brick facade punctuated by slim, semi-circular and rectangular windows. It is entered via a public walkway that sits between the fitness centre and an adjacent school, as the building is tucked into a centre lot. Its upper levels are clad in corrugated metal panels and just peak over the brick volume at the front.
In recent years, food has taken on a renewed role within architecture, not simply as a program or typology, but as a shared spatial practice. Beyond restaurants or dining design, communal eating spaces are increasingly understood as environments where presence, ritual, and time intersect, allowing people to gather, stay, and coexist. In these settings, eating does not just happen within space; it actively shapes it, temporarily transforming ordinary, borrowed, or improvised environments into places of exchange.
Among the 2025 Aga Khan Award winners is AAU Anastas and their project, Wonder Cabinet in Palestine, whose central aim is to serve as a haven for culture and creativity and a bridge between design and production. Beyond this meaningful project, AAU Anastas-working from offices in Bethlehem, Palestine, and Paris, France-has built a broad portfolio since 2015. Notable works include Dar Al Majous, a restoration in Bethlehem that challenges
Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts-from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.
In Manisa, western Turkey, the Liberation Museum by Yalin Architectural Design is a memory space shaped by absence, loss, and collective resilience. Developed for the Greater City Municipality of Manisa, the 3,800-square-meter project narrates the local civil resistance movement that emerged independently of central authority between 1918 and 1923, during and after the First World War. The museum is conceived as an experiential landscape, guiding visitors through a spatial narrative of occupation, destruction, liberation, and rebuilding.