The pop-up is structured as a composed interior with garments, furniture, artworks, and editorial elements, allowing each to contribute to a unified reading of the brand.
The entire building is organized around the game's visual logic. Its form references an unfolded chessboard, its facades use perforated solar shading to animate a black and white grid pattern with real-time light and shadow.
"The name is a paradox. They never functioned as a collective," says Kaat Debo, MoMu's director. "Some of them still describe that label as a blessing and a curse. But they were friends."
"They're everyday professionals who simply don't have the time to shop the traditional way," said Kneen about J. Hilburn customers. Instead, stylists manage fit, fabrics and wardrobe planning, effectively outsourcing the entire process for busy professionals.
In 1971, Manolo Blahnik created shoes for the designer Ossie Clark's catwalk show in London. Relatively new to shoemaking, the Spanish designer forgot to put steel pins in the heels of the shoes, which meant that models wobbled, unbalanced, down the catwalk.
From dawn to dusk Muslims fast from food and distraction, with sunset being an energy-shifting moment. Programming this pause into one of the fashion industry's most tightly scheduled weeks was deliberate. As soon as I found out that fashion week would fall [now], I had to incorporate it. This collection was built around the themes of Ramadan.
Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.
ABODI Transylvania is a wearable art fashion house and living mythology created by Transylvanian-born designer Dora Abodi, rooted in Eastern European and Balkan folklore, gothic horror, and her own Szekler noble heritage. The brand's universe mixes couture, illustration, ceramics and sculpture into narrative garments populated by recurring mythical beings like the Unisus (four-headed dragon), Cat Mermaid, Animal Soul, eternal night Vampyr, Moon and Sun King, and time travellers.
Whether you're pulling out the stops with pockets, prints or preppy know-how, you can't go wrong with showing off the lightweight outerwear this spring. Along the way, I clocked a lot of really cool jackets, and damn did the wearers look good.
As an interdisciplinary artist, Madita defies simple categorisation, moving fluidly between the worlds of fine art, fashion, and performative expression. In this photo editorial, Madita proves that the artist and the artwork are often the same.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
KEBURIA, the womenswear and accessories label meticulously designed and handcrafted in Tbilisi, Georgia, proudly unveiled its Fall-Winter 2026-2027 collection at London Fashion Week FW26. Founded in 2015 by self-taught designer George Keburia, the label showcases a fun-loving spirit and has transformed over the years into a vibrant exploration of modern femininity, characterised by a playful attitude towards exaggerated shapes, colours, and styles.
It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom
Everybody thought I would make oversized bomber jackets with monograms, said the mononymous king-of-the-hoodie designer after the show. That's what ChatGPT said, apparently. But that's not why I came to Gucci. Instead, he said, his Gucci will be energy, passion, fun and sex.
Travelling for art can be incredibly virtuous and culturally rewarding, like collecting souvenirs for your eyes (and from the post card rail in the gift shop). Remembering to research what is on before I book flights is a lesson I learnt all too well after I missed the Metropolitan Museum's fashion exhibition in 2016 by one day. As a fashion obsessed 20 something, I did not take this well and have since improved my itinerary planning and exhibition calendar checking.