#english-national-opera

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fromwww.theguardian.com
2 weeks ago

That make-or-break feeling? I love it': can Andre de Ridder put ENO back on its feet?

Andre de Ridder is either brave or stupid. He has accepted the role as the music director of English National Opera its chief conductor and keeper of its musical flame. He will take up the role formally in 2027. The post has been empty for several anguished years, sparked by Arts Council England's 2022 announcement that the company would lose all its funding unless it moved out of London.
Music
London music
fromwww.london-unattached.com
3 months ago

Partenope English National Opera at the London Coliseum

English National Opera's Partenope offers a vibrant, witty Handel performance with sparkling score, charismatic singing, and bold 1920s-inspired Art Deco staging.
fromwww.london-unattached.com
4 months ago

Dead Man Walking, ENO at the London Coliseum

This November, English National Opera brings a defining work of modern American music drama to the London Coliseum. Jake Heggie's Dead Man Walking, first performed in 2000, has already entered the repertory as a contemporary classic, a rarity in the world of opera where even success often means a brief blaze before oblivion. Yet Heggie's opera endures: a work of moral courage and emotional immediacy that continues to challenge audiences wherever it is performed.
London music
London music
fromwww.theguardian.com
4 months ago

Albert Herring review ENO heralds new era with witty staging of Britten's story of a mummy's boy

English National Opera staged Britten's Albert Herring as a modest semi-staged production shared between London and Greater Manchester amid enforced relocation plans.
fromLondon Unattached
4 months ago

ENO Cinderella (La Cenerentola) Review - Rossini Reimagined

This season at English National Opera begins with Cinderella (Rossini's La Cenerentola), landing at the London Coliseum in a bold reimagination that sets the tone for ENO's Autumn/Winter 2025 season. With a red carpet rolled out in front of the Coliseum on St Martin's Lane, this new production, directed by Julia Burbach and conducted by Yi-Chen Li, casts Cinderella as a modern heroine who dares to hope for authenticity and connection in a world of appearances.
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