It's just been so fun to rep the flag of south London, of Croydon. Community is important, sometimes it does lack, especially in big cities, so it's been really nice now to bring community together.
Community members of all ages are invited to gather for the first annual Boogie Down Brisbane, a hip hop benefit concert, that will showcase a vibrant, family-friendly lineup of hip hop music, art, activities, and community solidarity on Saturday, March 21, 2026, from 12:00 p.m. to 4:00 p.m.
"It has been a bucket-list dream of mine to perform on a New York stage, and I couldn't think of a better way to do that than becoming a part of the 11 to Midnight family," Morris said in a statement.
When I came to America I tried a lot of classes and 90% of them, even if a class was for beginner level, were really difficult. I was thinking, if I were a grown woman who just decided to start, I'm going to get trauma, it's so hard, it's so competitive, and I [said], I need to create something dedicated to women, without this pressure, without this judgmental vibe.
Over the years my main focus has been jazz so bringing that style and rhythm up to the stage, they found really interesting. Ellis thinks his jazz background made him stand out among his fellow contestants, attributing his success to the distinctive musical perspective he brought to the competition.
It's 3:30 p.m. on a Monday, and a group of 16 senior dancers are grooving on the court at Chase Center. They throw their arms up and down, give a high kick, bend over low, draw a half circle with their hips, pop up and snap their necks back and forth, their grey and white hair glistening under the giant spotlights usually reserved for Steph Curry and Draymond Green.
Streetdog BMX isn't trying to revive the glory days of BMX games, nor is it chasing mass appeal. It's a deliberately fiddly, skill-focused take on BMX riding, aimed squarely at players who enjoy mastery more than spectacle. And like real-life riding, that first crash is the key moment - because you're either going to toss the fucking thing in the trash, or grind like a madman and try again.
Keshad Johnson is not a name that many non-Miami Heat fans may know. However, he'll have the opportunity to change that as he prepares to compete in the 2026 NBA Slam Dunk Contest this weekend. The Slam Dunk Contest at NBA All-Star Weekend may not be what it used to be, but despite the lack of big names, it's still one of the biggest lures of the festivities.
The internet has made our worlds feel smaller. We keep up with family and friends through apps instead of phone calls or visits. We use an app to deliver our food instead of going out to eat. We shop online instead of going to the store to see and feel the things we purchase before we buy them.
We've been exploring what nightlife looks like in London outside of the traditional nightclubs, and here comes the Barbican with a brand-new late-night party series. The 'anyone can dance' events will be a celebration of diaspora, community and joy, with the Level -1 foyer space turning into a dancefloor open until 3am. The series is kicking off on Fri 20th February with a night curated by Eastern Margins, a collective that celebrates alternative East and South East Asian creativity and culture.
Central Cee has shared a new song "Iceman Freestyle" along with a music video. Directed by Don Prod, the clip tracks the British rapper driving an old Aston Martin, drinks whiskey, and literally digging his own grave. Watch it below. "Iceman Freestyle" is the second solo single Central Cee has released following 2025's Can't Rush Greatness, his debut album on Columbia. The rapper also linked up for a few collaborations last year, including Drake's " Which One " and Sexyy Red's "Guilt Trippin."
Dominique McDougal and Carro Sharkey's three-part performance, 'Did4luv'-a tragicomic dance solo performed by each of the dancers, alternating every night-debuted this month at the dual 30th anniversary of Sophiensaele's inauguration as a theater and its renowned dance festival, Tanztage. This year's Tanztage invites its audience to consider the (im)material conditions of artistic production: the body and self as sources for capitalist exchange, the extractive nature of our systems of work and its resulting consequences for marginalized bodies.
I absolutely give you permission to learn what twizzles are, but if you're coming into this as a once-every-four-years viewer, I encourage you to appreciate these performances based on how the skating made you feel. For me, watching it reminds me of the first time I was taken to a classical music performance: "What am I supposed to do with my brain during this?" I thought.
Being called the best assumes lightning will strike twice, on schedule, and then strike again. I think that's life at the San Francisco Ballet. I heard about many bests recently at its 93rd opening gala. Everywhere I looked, people chattered in polite gossip, and a new room waited for me to find reasons to linger, from macarons and photo stations; or I was catching up with my favorite performer while waiting in line for cocktails.
