#dame-susan-langley

#dame-susan-langley

I find England ugly...I hate England; the weather is like a jail sentence...the food in England is like a jail sentence.

The most obvious example is the adoption of the singular 'they' to replace clunky constructions like 'he or she' and 'he/she.' Language purists argue that this is ungrammatical, even though 'they' has been employed in just this way by authors as diverse as Chaucer, Shakespeare, Austen, Dickinson, and Shaw.

Morris was a sympathetic historian of empire who became a republican Welsh nationalist, and yet she accepted a CBE, showcasing her complex identity.

The library was to hold material relating to women's work, too. This year's centenary is an opportunity to celebrate the institution's unique holdings.

The deeper I go, the more feminist I become! Yet my experience of academic philosophy has largely disclosed the opposite: a discipline that solemnly declares its devotion to openness proves curiously unsettled by me as a woman.

While you might know Kagi best as the paid competitor to Google's ever-worsening search product, the company launched its Kagi Translate tool back in 2024, saying at the time that it was a 'simply better' competitor to tools like Google Translate and DeepL. At launch, the company said Kagi Translate 'uses a combination of LLMs, selecting and optimizing the best output for each task,' a fact that 'can occasionally lead to quirks that we're actively working to resolve.'

Thatcher rose to power on the back of a campaign to Make Britain Great Again-a promise to reverse the previous two decades of austerity, imperial contraction, and stagnating modernization. By 1979, the country was undeniably in decline-not just materially but on a more ineffable level, too. Divested of the unifying effect of global superpower status, the increasingly dis-United Kingdom's common identity was now an open, and anxious, question.

There has been progress in the diversity of texts on offer in the GCSE English literature curriculum, but uptake in schools is still low with just 1.9% of GCSE pupils in England studying books by authors of colour, up from 0.7% five years ago, according to a report. Compiled by the campaign group Lit in Colour, the report says progress is too slow and that

So why did people flock to the Pinter to catch it before we all vanished? A clue might be that many of the reviews were written by men who really didn't understand what it is to be a working mother or a child-free actress. She said one male critic had described a female character's lament about her vagina as unrealistic. We need women to write that, she said.

'According to his booky-wook, he was b******* by some dirty old men before he left New Zealand,' Mr Dunstan wrote. 'Maybe he secretly enjoyed it? A little bit. And so what if he did?'

Why, Damon, why, why, why so pressing? The Heart you beg's not worth possessing: Each Look, each Word, each Smile's affected, And inward Charms are quite neglected: Then scorn her, scorn her, foolish Swain, And sigh no more, no more in vain. Beauty's worthless, fading, flying; Who would for Trifles think of dying? Who for a Face, a Shape wou'd languish, And tell the Brooks, and Groves his Anguish, Till she, till she thinks fit to prize him, And all, and all beside despise him?

Marsha eventually brought her salon to campus and founded the Comparative Literature Women's Caucus, an activist collective that established the first women's literature classes in Comparative Literature, conceived and taught by graduate student women. Caucus members helped produce the first major translation anthologies of women's world-wide poetry, encouraged women to write feminist dissertations on women authors, and researched discrimination against women in the department.

Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.

Charles Dickens's novels are often criticised for their idealised passive female characters, but as the Dickens Museum now shows, he was, in life and in death, surrounded by formidable, intelligent and independent women. A new exhibition at the museum shifts attention away from Dickens as a solitary genius and instead places women at the centre of his creative world and cultural afterlife.

It is the summer of 2019, and Sophie Evans, the reckless protagonist of Rhiannon Lucy Cosslett's unsettling second novel, has arrived on an idyllic island in the Cyclades with her university friends Helena, Iris and Alessia to celebrate Helena's forthcoming marriage. Helena doesn't want it called her hen Like we're dumpy little featherbrains going cluck, cluck, cluck, but all the same, the men including Sophie's curator boyfriend of six years, Greg will not arrive for another five days.

Best known as a memoirist, Morrison returns to poetry after 11 years with a masterclass of lyric distillation and charged observation, demonstrating that nothing is beneath poetic deliberation. His subjects range from social and political justice to meditations on poetic heroes such as Elizabeth Bishop and sonnet sequences elegising the writer's sister. The interwoven specificity and occasional nature of the poems is captivating: