#currier-museum-of-art

#currier-museum-of-art

A new report found that museums and cultural centers founded and led by people of color in the Northeast face severe staffing shortages, with over a third of responding institutions lacking a single full-time employee.

"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."

Over five years, the pair gathered furnishings, art, and antiques to shape an inviting ode to the past-snug and soulful, sentimental and nature-filled, with earthy colors offset by bold, saturated moments of Americana. Like squirrels preparing a winter cache, they collected objects patiently, adding layers over time.

Pratt Shows is an annual series of public exhibitions and presentations by the Institute's graduating class, representing years of research, exploration, and creative inquiry.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

Adapted from Rosenkrantz' book of the same name, published in 2022, the film hinges on a single conversation in December 1974, as Hujar recounts, almost pedantically, everything he did the previous day. Drawn from a long-lost tape, the monologue turns errands, meals and irritations into a portrait of an artist's inner life. It trades plot for precision, offering instead a study of friendship, attention and the conditions of making work in 1970s New York.

The British artist Andy Goldsworthy moved to Penpont, a village in southwest Scotland, in 1986, when he was thirty. The area's initial appeal was twofold. Property was cheap, which meant that Goldsworthy and his wife at the time, Judith Gregson, could acquire an unrenovated stone building that had likely once stored grain. This structure could serve as a workspace and, for a while, as a rough-and-ready home.

Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.

In the midst of the fabulous The Winter Show last weekwhere connoisseurship, collecting, and cultivated taste converge under one vaulted roofthere was a moment of pause, exhale, and recalibration at the heart of the fair: the VIP Collectors Lounge. This year, not as sponsorship, but as philosophy made spatial. It was titled The Modern Salon. Conceived and designed by frenchCALIFORNIA, The Modern Salon rejected the trade-fair instinct toward visual noise and brand fragmentation.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

I've been aware of the Gochman Family Collection for a number of years through my work with artists in the collection, including during the organisation of Jaune Quick-to-See Smith: Memory Map. What drew me to the role was the chance to focus on the parts of curatorial work that excite me most--supporting living artists and helping them realise their visions.

With 70-plus shows, it's all you need to know about the major art happenings of the season. There's something in it for everyone, from the ancient to the futuristic. Above all, this is a love letter to our city, where art never sleeps.

Every day, I see something new, simply because I'm there. My office is currently hung with a pair of enormous 18th-century landscape paintings by Richard Wilson. That will change, but for now I get to spend time with works I wouldn't otherwise look at so often.

Featuring more than 70 works by a diverse array of artists, including June Clark, Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, David Hammons, Julie Mehretu, Dread Scott, and Hank Willis Thomas, For Which It Stands... challenges viewers to consider who the American flag truly represents, and whether justice is available to all. On view in Fairfield, Connecticut, from January 23 through July 25, the exhibition opens with Childe Hassam's "Italian Day, May 1918" - lent by Art Bridges - and concludes with a textile sculpture newly commissioned from Maria de Los Angeles. Emma Amos, Eric Fischl, Jane Hammond, and Glenn Ligon are among the many other artists whose work is represented.

As the United States prepares to celebrate its 250th birthday amid attacks on civil liberties and marginalized communities, museums and galleries in the nation's capital are opening exhibitions that question what it means to be an American.The National Gallery of Art presents 115 works in Dear America while other shows focus on individual artists such as Mary Cassatt and Nick Cave, all in the pursuit of exploring "Americanism" as a facet of education, expression, and aesthetics.

There was no good reason to rename it, and in the end, I think the fundamental logic that went into that decision didn't withstand scrutiny or deeper analysis,

I work outside, carving and shaping the stone. Outside my house, I have a table, an extension cord, and tools. It's very cold and I have to wear all my winter clothes. When it's too cold, I do the filing and finishing work inside after I shape it outside. I listen to all kinds of music. I listen to Eminem all the time; his albums are all my favorites. For drawings, I work at Kinngait Studios or at home on my kitchen table.

Brooklyn Museum Fills Its Top Contemporary Curator Spot Robert Wiesenberger was named senior curator of contemporary art at the Brooklyn Museum, a post that has been vacant since the departure of Eugenie Tsai in 2023. He comes from the Clark Art Institute in Williamstown, Massachusetts, where he was curator of contemporary projects, and was previously a curatorial fellow at the Harvard Art Museums.

Taking over the museum's transformed school building starting April 16, the cross-borough survey will celebrate MoMA PS1's 50th anniversary with a bevy of site-specific installations, new commissions, and rarely seen work by 53 artists and collectives living and working across New York City. A complete list of participants is included at the end of this article. This year, Greater New York will coincide with the Whitney Biennial for the first time in the show's history.

For the first time in its 62-year history, the Aldrich Museum of Contemporary Art will present a survey of artists living and working in Connecticut. Today, Tuesday, January 13, the institution named the 40 participating artists in the inaugural Aldrich Decennial. The exhibition, Aldrich Decennial: I Am What Is Around Me, which is expected to recur once every decade, will open on June 7 and run until January 10, 2027. A complete list of artists is included at the end of this article.