#commercialization

#commercialization

This is the market laid bare, with all of its champagne, ludicrous outfits and obscene excess on brazen display for anyone willing to fork out a wodge on a ticket. That's what reviews of Frieze generally complain about, all the greedy capitalistic knives being stabbed into the heart of their beloved, pure art. But Frieze, and the more refined Frieze Masters, isn't really about art.

In the UK, a graphene-enhanced, low-carbon concrete was laid at a Northumbrian Water site in July, developed by the Graphene Engineering Innovation Centre (GEIC) at the University of Manchester and Cemex UK. The material when it came out of academia was hyped to death but the challenge is going from lab to fab, says Ben Jensen, the chief executive of 2D Photonics, a startup spun out from the University of Cambridge that makes graphene-based photonic technology for datacentres.

I had high hopes for this album, because Swift was finally returning to the producers she used for 1989 and Reputation. I've listened to her music since we were both in high school, and my body remembers the anticipation it felt before some of her better albums, and the ecstasy of having that anticipation rewarded with an LP full of bangers.

The recent stomp clap discourse sparked a lot of conversations about how the divisive 2010s subgenre grew out of 2000s indie-folk, and the evolution (and "gentrification") of the latter is actually something that Stereogum managing editor Chris DeVille tackles in his upcoming book Such Great Heights: The Complete Cultural History of the Indie Rock Explosion, which comes out this Tuesday (8/26) via St. Martin's Press.

Commercializing inventions requires not only capital but also an emotional investment by the inventors. Visionaries pay for that ambition with insomnia, time away from family, and job insecurity.

This partnership unlocks new avenues to further destigmatize weed - at a pivotal moment in the industry's evolution, said DJ Saul, CEO of Khalifa Kush.

Parks are open to everyone, except during festivals, and they're essential for building community through egalitarian access. Events companies often exploit these spaces, causing long-term damage.

"This is the wrong spirit," Jarvis told the Miami Daily. She described those profiting from Mother's Day as 'charlatans, bandits, pirates, racketeers, kidnappers, and termites.'