The project reimagines the structure through circular thinking, ecological strategies, and new construction technologies, embracing reuse as a model for sustainable urban development.
The style is characterized by raw, exposed concrete and bold geometric forms. You've certainly seen it before in many cultural and civic buildings built between the 1950s and '70s. With countless examples spanning countries and continents, the look has both historical significance and remains popular-particularly in residential design-today.
Of the approximately 5,000 houses built in the International Style in Tel Aviv, most are privately owned and 'the owners do not want to invest in restoration at the moment.' The most significant damaged building was the 'Froma Gurvitz' house, built in 1937 by the architectural firm Zabrodsky and Blacks, which had an additional floor and a half constructed on the roof.
Decades of research in environmental psychology and building science reveal that indoor conditions can profoundly affect human health and behavior. Lighting influences circadian rhythms and sleep patterns. Air quality impacts cognitive performance and respiratory health. Temperature and acoustics shape comfort and concentration.
Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of Uzbekistan today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the Soviet Union, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the modernist monuments for which Tashkent is known today.
Their gathering still had to be dispersed, but the enthusiasm that Ored Recordings inspires even among enforcers of the law speaks volumes about the power of what Khalilov and his friend and label co-founder Timur Kodzoko call punk ethnography: the recording of religious chants, laments and displacement songs at family gatherings, local festivals, in people's kitchens, to fight against the erasure of Circassian culture.
After the tensions of the George W. Bush era, the new US president's approval ratings among Germans skyrocketed. According to a Pew Research Center survey, 93% of Germans believed Obama would "do the right thing regarding world affairs." That remains a record to this day. Even in 2016, at the end of his second term, an extraordinary 86% of Germans still trusted Obama.
The Limited Space' series is built around the idea of a figure that has outgrown its space. Through exaggerated proportions and sculptural silhouettes, the body appears too large for the environment that continues to constrain it. Architectural elements and imposed barriers function as abstract limits, pressing against the figure and revealing tension through scale, weight, and posture rather than narrative.
Work crews used cherry pickers to erect the Make America Safe Again banner featuring Trump's portrait on Thursday. Ken Dilanian with MS NOW posted, This is a stunning confirmation of the grim reality, which is that Donald Trump has seized control of the once independent Justice Department and is using it to pursue his political objectivesincluding trying to punish his perceived enemies.
Diverse zones allow employees to shift from heads-down work to group sessions with ease. An area for guests, which contains a plant-filled bookshelf, is reminiscent of a living room. The social sector at the heart of the workplace includes a casual dining section and bar. Glass blocks let sunlight filter in and complement the tile backsplash. There's even a room dedicated to deep relaxation, complete with cosmic motifs and a recliner.
Life doesn't pause for grief or fear. You might be going through something devastating but you're still packing lunches, still driving your kids to baseball practice, still showing up to work. One minute I find myself prepping for a whole home presentation and the next minute I'm checking the news, hoping and praying that no one has been killed on the streets today.
"In the past few months, the real-estate developer turned politician has torn down the East Wing of the White House in order to build a flashy $400m ballroom, added his name to the façade of the John F. Kennedy Center for the Performing Arts (which he announced would for major renovations starting this summer), suggested painting the exterior of the Eisenhower Executive Office Building (EEOB) all white to "beautify" it, and pushed plans to build near the capital's historic centre."
Postmodernism began as a critique of modernism's exhausted promises. By the late 1960s and early 1970s, many designers no longer treated modernism as radical or socially redemptive. Urban renewal projects accelerated the demolition of historic neighborhoods, and landmark preservation battles raised urgent questions about what the United States valued and, ultimately, protected. The loss of major civic icons, including New York's Penn Station, sharpened public awareness that progress often arrives through erasure.
We didn't have any specific guidelines; rather, there was complete trust and a lot of fun. Since they're my friends, we understood each other very well. That creative freedom led to a complete transformation of the small apartment, which is in a modernist townhouse from the 1930s.
The works of this baroque brutalist, who was active until his death in 1997, have been steadily demolished over the past few decades - his Riverview High School in Sarasota in 2009, the Shoreline Apartments in Buffalo in 2020, his Burroughs-Wellcome Building in North Carolina the following year. Multiple Rudolph houses have been lost in the same period. Others remain at risk; the fate of his still-polarizing Boston Government Service Center is exceptionally unclear. Nature has been cruel as well, washing away his Sanderling Beach Cabanas in Sarasota in a 2024 hurricane.
This dual ambition-questioning their own practice while contributing to a broader cultural discourse-frames each project as an evolving process, not a fixed outcome. The term "workshop" embedded in their name, New Almaty Architects Workshop, reflects this spirit of continuous testing and learning. Interiors become platforms for material research, atmospheric exploration, and critical self-evaluation. In a regional context where architectural discourse remains underrepresented internationally, their work emerges as a sustained effort to articulate identity through built experience.