#cinema-revival

#cinema-revival

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

'It's the Easter Beagle, Charlie Brown!' is a great family movie that includes funny callbacks between Linus and Sally about the Great Pumpkin.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

Sam Green's documentary follows his relentless pursuit of the world's oldest person, a journey that reveals deep insights into the nature of time and memory over a decade.

Arrival is a moody sci-fi drama about a linguistics professor, played by Amy Adams, who is tasked with finding a way to communicate with aliens that arrive on Earth.

'Forbidden Fruits' has been widely hailed as a 'cult classic' by critics and fans, but labeling it as such too soon risks undermining the process that establishes a film's cultural significance over time.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

Melling plays a shy young man, Colin, who meets a hot biker, Ray (Skarsgård); the two sweetly and awkwardly develop a BDSM relationship as Colin starts to grasp on to what he really wants from his life.

You would think Searchlight hoped for The Testament of Ann Lee to release widely in theaters with something to celebrate ( re: Oscar noms), but that campaign didn't quite take off. The lack of awards buzz shouldn't besmirch Amanda Seyfried's performance here, though, which is great. Plus, if you want to go to the movies this weekend, it's an incredibly better option than the Chris Pratt AI movie.