Netflix and Universal were very kind to let me go direct Scream VII and put some projects on hold. Now I'm focused on those. The first is a TV show based in the Universal monster land. It won't skimp on Williamson's penchant for melodrama, either: he compared the project to an adult Vampire Diaries, which we've not really gotten from him before.
In 1974, Tobe Hooper made The Texas Chainsaw Massacre, a ruthless movie about Leatherface laying waste to an unlucky friend group. It has had a lasting legacy ever since - its production was even dramatized recently in the Ryan Murphy Netflix series Monster: The Ed Gein Story. (The real-life murderer reportedly inspired Leatherface.) In September 2025, the future of the horror franchise went up for sale as multiple companies bid to acquire the rights to the story.
Who needs all those notes? I got tired of that. Really, really tired of that. And I'm like, man, if you're in the arts, you should do everything you can to protect your art. So Campbell knew he wanted to make a movie, and he knew he didn't want to go through the big Hollywood machine.
In 2006's Final Destination 3 the disaster is a high-speed roller coaster derailment, narrowly avoided thanks to a premonition experienced by high school senior Wendy Christensen (Mary Elizabeth Winstead). But as fans know, Death doesn't like being ghosted. One by one, the survivors are stalked and eliminated through elaborately staged "accidents" that turn mundane locations into Rube Goldberg-ian death traps.
A caper is always better with two. Batman and Robin, Jake and Finn, Thelma and Louise. Why do you think Shaggy and Scooby were always paired together when the gang split up? This is especially true in comedy, with duos ranging from Laurel and Hardy to Key and Peele taking their place in comedy history. Now, a major comedy duo is reviving a classic horror-comedy made by their Old Hollywood equivalents, right down to reusing the title.
We're deep into Strangers lore now, but last girl standing Maya (Riverdale graduate Madelaine Petsch, who surely hoped this was her Neve Campbell moment) continues to scurry about a devout woodland community like a bloodied fieldmouse with resting iPhone face; the masked thrill-killers previously three, now two have now gained ulterior motives for pursuing her. Also present: tatted survivor Gregory (Gabriel Basso, who must have been hoping for more to do) and ever-shifty Sheriff Rotter (Richard Brake), whose link to the killers is finally made.
In Greek mythology, Orpheus was an exceptional artist granted a miracle. His music was so powerful that the gods allowed him to lead his dead wife, Eurydice, out of the Underworld on one condition - he may never look back. He and his wife almost make it, but at the threshold between hell and earth, doubt creeps in. Orpheus turns around before he's thrust back into the human world, forced to spend the rest of his life alone filled with profound, inescapable regret.
I'm talking about Iron Lung, a self-financed film by a beloved YouTuber named Mark Fischbach, who goes by the handle Markiplier, and who has more than 38 million followers to his name. The movie, an adaptation of an indie horror video game, had a budget of approximately $3 million-an amount that Iron Lung has already earned back seven times over, with a box office of $21.7 million worldwide.