#casting-diversity

#casting-diversity

Adjoa Andoh acknowledged that some of her work might look Black or colour-centric but that is only because of the silos the world forces us into.

Rhodes asserted in an Instagram post, 'Marsha's may claim to be a queer safe space, but it is nothing like that.' She described the bar's environment as quickly developing a bad reputation among marginalized staffers.

"How can you not land on Silicon Valley?" he says, pointing out that most of us are already living inside its influence every time we pick up our phones. That constant presence makes it fertile ground for satire, even if the show leans hard into drama.

Trust begins with realness. When lawyers share their story and the reason behind their work, clients see themselves reflected in that narrative. Clients are not simply hiring legal skill; they are looking for alignment, empathy, and shared values. Storytelling bridges that gap.

The children Abdullah, Aysha, Khalid and Layla stumble across a time-travel device in a lab, only to find themselves pursued by a rogue alchemist who has discovered its power.

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. Trans Cinema provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are BIPOC.

Tauruses do it with steady hands and a whole lot of heart, cultivating beauty and building something that lasts, embodying dependability and loyalty.

The festival typically showcases many French-language films made in Africa, this year including the World Premiere of The Soul of Africa, director Gabriel Souleyka's documentary about African Spirituality.

Queer East Festival has announced its 2026 line-up, featuring a diverse array of films that explore the vibrant and often overlooked queer culture of East and Southeast Asia.

"Michael" was designed to be an international crowd-pleaser—the kind of film that executives hope will drag audiences away from their small screens and deposit them in front of big ones, where they can watch and sing along and even dance, if theatres permit it.

At the 78th Academy Awards ceremony in 2005, trailblazing LGBTQ+ movie Brokeback Mountain made history when it garnered three Oscars from eight nominations. It was a seismic moment for LGBTQ+ cinema at the Oscars, Hollywood's most glitzy, glamorous night of the year. Up until that point, films that celebrated the beauty and complexity of the queer experience had largely been ignored, bar a few notable exceptions.

Institutionally, we still don't understand what inclusion means. Just because you invite someone into a space, but you don't provide the necessary resources to keep them and everyone else in that room safe by them being there, that's not inclusivity. That's exploitation. That man's disability got exploited that night, and it led to multiple offenses.

Goldsmith alleges that while still working on the film, Venzon repeatedly sent them memes belittling their trans identity, outed them to colleagues, deadnamed them, and asked invasive questions about their transition. According to the complaint, Venzon's conduct - which allegedly included making jokes about transgender bodies - happened both in private meetings and among colleagues, creating a hostile working environment for Goldsmith.

Lashing out at what he called 'lackluster management' of Hollywood's $922-million redevelopment plan, Los Angeles City Councilman Michael Woo on Friday proposed sweeping changes in the way the city's Community Redevelopment Agency handles the project and vowed to increase the voice of residents and small merchants in Hollywood planning decisions.

I can't say it feels great and I can't say that it makes me happy. It just makes me feel peculiar. It's just a movie, at the end of the day. It's just supposed to be an action movie about a guy trying to get his daughter back. And, what I see every day, it weighs heavy on my heart for the world.