#black-female-figures

#black-female-figures

"You bring your experiences, your identities and your perspectives - yes, to the classroom, but to everything you do. All the activities, all the conversations on and off campus, and each discussion you have in all those settings, is an opportunity to discover and nurture shared values."

Karen Batchelor's discovery of her eligibility for the Daughters of the American Revolution was surprising, given the organization's long history of racism and elitism.

I realized there was pretty much nobody who is a famous 19th-century minstrel performer who was not an Elk. It just became synonymous.

Exploring Transgender Identity in South Carolina is a candid photographic and interview-based documentation of transgender life in South Carolina. This project offers a contemporary visual record of a community that exists largely outside of that narrative yet within its realities.

Tonika Lewis Johnson's Folded Map Project connects residents known as 'map twins' who live on the same street name but miles apart, revealing structural inequality and personal commonality.

Developers promise "community investments," downtown revitalization, and a new "AI Center." What they don't say is that this development comes tethered to a massive resource-intensive data center that will cost billions, create pollution, and concentrate profits for the corporations and CEOs at the top-not the surrounding communities. This is not innovation, it's exploitation.

"We will continue to move and pass down things, meaning that when they try to erase us, as long as we stay present, they can't,"

Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.

Not so long ago,I found myself staring at my laptop screen, unemployed for the third month straight. The media industry cuts had claimed another victim, and that victim was me. At first, I told myself it was just a temporary setback. But as rejection emails piled up and freelance gigs barely covered my rent, I started wondering if this was less of a speed bump and more of a dead end.

By the mid-1980s, the AIDS epidemic had completely gripped the nation. Its victims, primarily queer men, were dying by the thousands. Fear and misinformation reigned supreme, and our government refused to respond to the crisis. Reverend Charles Angel, a community leader and activist who was living with HIV himself, recognized that queer men of color faced additional disparities due to cultural norms and societal inequities.

Danessa Myricks Beauty is the big story here," said Assayag, adding that the brand has nearly doubled its year-over-year VIT and maintains a notably high creator retention rate, with creators posting about the brands nearly six times a year on average. One of the most impactful posts in recent months was an August TikTok video by @april.byjoiles showcasing a seamless client shade match using the deepest shade of Danessa Myricks' Blurring Balm powder. The post garnered nearly 12 million views and 600,000 likes.

During World War I, women in Russia went on strike. They demanded "bread and peace." Among the results of their four-day protest: the Czar abdicated and women gained the right to vote. This bold strike began on Feb. 23, 1917, according to the Julian calendar then used in Russia. That date translated to March 8 in the Gregorian calendar that much of the world uses.

There would be considerable historical irony if the court decides to use the 14th Amendment to provide the legal cover for reversing a generation of Black political progress in the South. Initially designed to enshrine federal civil rights protections for freed people facing a battery of discriminatory " Black Codes" in the postbellum South, the 14th Amendment's equal protection clause has been the foundation of the nation's modern rights-based legal order, ensuring that all U.S. citizens are treated fairly.

Black History Month is a time to acknowledge and celebrate the achievements and courageous acts of people of African descent in the United States and around the world. This year, Black History month celebrates its 100th anniversary. And yet, Black History Month has failed to fully acknowledge or celebrate the contributions of Black LGBTQ+ people. Just as Pride Month remains overwhelmingly white in its representation, Black History Month continues to be deeply homophobic in its omissions.

As the white friend at this event, I'm gonna go ahead and say to the women who look like me - to the men who look like me - it's incredibly important to remember that so much of what we love in America comes from Black culture. And white people need to show up for Black people the way they show up to be entertained by Black culture.

If you know anything about the basic origins of Black History Month then you know that we weren't given' anything. The question of who owns and authorizes Black History Month holds particular relevance now, in its centennial year, and at a time when efforts to celebrate, preserve, and acknowledge Black people's past in this country are under attack.

In a region that prides itself on progress, women who built institutions, changed laws, fought segregation, defended bodily autonomy and reshaped culture have largely vanished from the public record. Their names are missing from monuments, street signs, statues and textbooks. Their work survives, but their stories do not.

What began as a passion for collecting became a responsibility. She not only believes in the artistic genius of women, but she wants society in general to hold men and women artists in equal esteem-and to place the same monetary value on their work.

Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.

In the hours after the 7 January fatal shooting of Renee Nicole Good, a 37-year-old Minneapolis mother of three, gut-wrenching footage of her killing was released, discrediting initial claims from Immigration and Customs Enforcement (ICE) agents and the Department of Justice that she was shot in self-defense. As a response to the public outcry, the Trump administration and a chorus of conservative public figures unleashed a litany of dehumanizing and defamatory remarks about Good,

To be Black in the U.S. has such an expansive meaning that traces back to Europeans deciding who got to be "white." While some people, like the Italians and Irish, earned their way into "white-ness," those with even a drop of Black in their heritage were relegated to the lower rungs of the racial ladder.

At a moment when global progress demands bold and decisive action, the 2026 Women of the Year remind us that individual leadership remains one of the most powerful catalysts for change. Sherald is best known for her official portrait of former First Lady Michelle Obama, renowned for her signature combination of grisaille skin tones and colorful, fashionable attire.

Art is always political. As the white friend at this event, I'm gonna go ahead and say to the women who look like me - to the men who look like me - it's incredibly important to remember that so much of what we love in America comes from Black culture. White people need to show up for Black people the way they show up to be entertained by Black culture.