Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.
The artwork, called We Move Through Scales of Blue, will comprise four photographic pieces installed alongside the escalators at both stations. As people go up and down, the images appear to shift and change.
The Museum of Youth Culture is set to open in Camden, featuring a collection of 100,000 items that document Britain's hidden teen history, from rockers' leather jackets to modern school leavers' hoodies.
A UK High Court judge ruled on 4 March that there is an "arguable case" for the court order, which was filed by McPartlin and Donnelly in August 2025. It centres on a relationship between the duo and an unidentified art consultant, only referred to in the filing as 'X'. The anonymous party handled the pair's purchase of six Banksy prints for a combined £550,000 from the art dealer, Andrew Lilley.
A bench in Bristol installed facing a brick wall has aroused local curiosity why put it there? BBC West commented that it joined other perversely placed seating: a bench in Shirehampton facing a derelict building and one in Wedmore facing a hedge. Bristol city council explained that when it plants a planned tree, the bench will provide a shady spot to rest on a steep hill, but promised to review the placement.
Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.
Art on the Underground was launched in 2000, with site-specific works exploring themes of community, space and place. David Gentleman's 'Cross for Queen Eleanor', for example, is synonymous with Charing Cross, while Eric Aumonier's sculpture 'The Archer' looks imperiously over East Finchley station, linking the site to its historic surroundings as an ancient hunting area.