#aya-fujioka

#aya-fujioka

Camera (1) is a compact, metal-bodied camera designed for ease of use, featuring a single-edge control layout that allows for quick adjustments without navigating a touchscreen. This design is particularly beneficial during cherry blossom season when moments are fleeting and require immediate capture.

SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.

The clients chose to remain in Yagi-cho while contributing to the continued use of its older building stock. With the support of a local non-profit organization involved in community development, they acquired the eastern portion of a large two-unit rowhouse that had remained vacant for nearly three decades.

This depicts Guernica after the battle. The figures are no longer fighting. They're in a giant pile. They're exhausted and there's a sunrise on a new day behind them. The title of the work is A Whole New World (for Who?). It's asking what's going to happen after the conflicts that we have. Who's going to be taken into that new world?

Justin Bieber for Calvin Klein Spring 2015 Ad Campaign In A Parallel Universe: Artist Exposes Sexism By Switching Up Gender Roles In Old-School Ads Russian Blogger Makes Parodies Out Of Celebrity Photos, And More Than 20,000 Followers On Instagram Approve 10 Famous Movie Titles Written Using Negative Space The World of Modern Graphic Design & Typography by Kyle Kemink Chinese Tech Companies Hiring 'Pretty' Girls to Motivate Male Employees by Chatting, Playing Ping Pong and Buying them Breakfast

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

Enter the Lumina Sideboard from German furniture brand YOMEI and Leica Camera AG, crafted specifically for the Leica Cine 1. This Bauhaus-inspired solution offers brilliant color and sound, without the permanent fixture of a black screen staring back, a void usually occupying the focal point of the room when not in use. With the Lumina Sideboard, each piece of the puzzle fits together neatly, minimizing pain points of the TV experience, all while gifting this container for culture a sleek aesthetic.

I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.

I grew up visiting this house. It originally belonged to my grandfather's older sister, and whenever I traveled down from Iwate, the northern prefecture in Japan where I grew up, this was where the family gathered. Later, I worked as a rehabilitation consultant at hospitals in Osaka and Yokohama. I moved, but this place was always in the back of my mind.

Residence AV is a courtyard house located in a dense residential neighborhood in Bruges, Belgium. Designed by YAMA architects, the project responds to a paradoxical brief: a strong desire for connection to the surrounding context combined with an equally strong need for privacy. The client, living alone, was attracted to the social presence and perceived safety of the neighborhood, yet sought a dwelling that could withdraw from direct views and support a more introspective way of living.

Workplaces serve as centers to support business transactions, often with cues from traditional corporate styling but little else. For its new office in Tokyo, the staff at KOKUYO, a leading manufacturer of office furniture, stationery, and supplies, envisioned a combination work and learning hub that sparks child-like imagination. The 5,317-square-foot space, completed by DDAA in collaboration with KOKUYO's own design team, centers on the theme of learning.

Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."

Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.