In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.
The major offensive that Israel launched on Lebanon on Wednesday hit previously untouched districts of Beirut and attempted to separate the Lebanese front from the ceasefire agreed between the United States and Iran.
Maryna, the main heroine of Twenty One, has only one wish that her soldier husband Petro comes back alive. She frantically raises tens of thousands of dollars online to buy drones, weapons and power generators for the front line.
Mara Naaman's academic career includes serving as Assistant Professor of Comparative Literature and Arabic at Williams College from 2007 to 2014, and she has held teaching positions at Columbia University, New York University, Hofstra University, and Hunter College.
"I have never chosen to adopt the title of 'refugee,' yet it keeps haunting me. It is scribbled on my Palestinian national identification card and follows my name in human rights conferences."
I looked up and saw him looking right at me, and I'm just glad I moved right, because moving left would have basically sent me into the centre [of the shot].
In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'
Ali Sbeity painted vibrant portraits and landscapes of his rural hometown in Southern Lebanon, often sharing his works on his Facebook. He participated in numerous local arts exhibitions and created murals for schools in Beirut.
Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.
In early January, at the Shrine Auditorium in Los Angeles, a concert benefit for Palestine and Sudan conjured all the fury of an acoustic night at the local coffee shop. Musicians played stripped-down songs on a stage decorated with rugs, floor lamps, and couches. Members of the audience, mostly 20-somethings and teens, leaned in and filmed intimate performances by their favorite cult artists.
There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.
The signatories include many artists who have presented work at the Berlin Film Festival. Swinton was herself last year awarded its prestigious Honorary Golden Bear award. They said they "fervently disagree" with Wenders's comments, arguing that filmmaking and politics cannot be separated. "Just as the festival has made clear statements in the past about atrocities carried out against people in Iran and Ukraine, we call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide," the letter adds.
"The show is about giving the pen back to the writer, giving the paintbrush back to the artist, during this time of genocide," the Ridikkuluz told Hyperallergic in an interview at the gallery. "And when there's been so much censorship, these are artists that might not have been able to do this anywhere else."
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
