Birchwood - The Conduit will run as a café and wine bar from day one, with a rooftop restaurant set to follow later this autumn. During the day, the menu leans into high-quality grab-and-go, with things like sausage and egg muffins made using meat from Acre's own butchery, pastries, and stacked sandwiches.
"Most dance studio education in the U.S. still starts with ballet and works towards recitals. But historically, hundreds of distinct dance traditions emerged from cultures around the world long before ballet became the norm in European courts."
In many works, sturdy, almost sculptural nude women appear alongside children and dogs, suggesting an untamed intimacy. The rust-colored painting is Barry's interpretation of the famed Capitoline Wolf, a centuries-old sculpture depicting Romulus and Remus, the mythical twin founders of Rome who were suckled by a she-wolf after being abandoned.
Johnston Marklee's approach emphasizes formal clarity and contextual responsiveness, drawing from their extensive portfolio of cultural and academic projects, including the Menil Drawing Institute and the renovation of the Museum of Contemporary Art Chicago.
Her practice uses clay to bring people together with the "therapeutic aspects of tactile making". She first came to ceramics during university, where access to the department allowed her to fall in love with the practice. And so, Ciara is deeply cognisant of the importance of supporting those who struggle to access a ceramics studio due to various social factors.
"The idea for a dedicated consultancy arm actually predates GCC's launch in 2020. Right from the beginning, it was clear that while shared standards, tools and advocacy are essential, many organisations would require hands-on, tailored support to implement meaningful change."
Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.
On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.