#artist-residency

#artist-residency

one of Earth's oldest plants, redolent of nature's fragility and resilience, its slow rhythms, and the beauty of quiet, simple things. "We planted several horizontally arranged fern barriers to keep the moss from washing down the slope. Drip irrigation is very helpful because it delivers water directly to the soil without runoff," the artist advises, adding, "It takes time to get it right, but once a moss garden is established, it is famously low maintenance."

The right way to describe the project and our reasons behind it will reveal itself through process. Let's slow down. Let's open the windows. In the afternoon, the air from the windows is so soft and gentle. The crows are back, talking to the dog again, and the other birds are singing in the trees. They are all a part of this. The best way to write this would be

Sánchez-Kane subverts military machismo through sculptures, paintings, text and clothes; his interdisciplinary practice exemplifies the mission of Cheruby House, which interweaves art and fashion, says its founder, the Chinese collector Cherry Xu. "Bárbara's practice embodies many of [our] core concerns: identity, performance, gender and sexuality, fashion as material and narrative." His work "invites a conversation about how culture, national identity, gender, and garment all intertwine".

The Goldrausch Künstlerinnenprojekt project invites 15 FLINTA* artists to take part in its year-long program that runs from January to December 2026. Successful applicants will participate in weekly as well as intensive courses that include practical exercises and seminars. The project was founded in 1989 by the Goldrausch Frauennetzwerk Berlin e.V. in an attempt to counteract institutional disadvantages faced by women artists by helping them forge career paths, develop practical knowledge and present their works publicly.

Faye Wei Wei is currently attending the MA in Fine Arts of Yale (USA) after she graduated from the Slade (London, UK) in 2016. Faye Wei Wei conceives of the painting process as an intimate choreography between actual and pictorial space. Revolving around spiritual iconography and classical myth, love rituals and the theatricality of gender, her works address the themes of particular mythic narratives and at other moments depart into a more ambiguous, interior space of incongruity and uncertainty.

Hankins describes her work as a form of manipulation that is not negative or malicious, but aimed at creating a positive experience for the audience.

Artists inspire children and families through creative workshops while fostering community engagement in the arts during the Silicon Valley Open Studios and the residency program.