She enjoyed a distinguished career in public education, remembered for her intelligence, articulate teaching style, and dedication to preserving history and culture. Beyond the classroom, Ms. Boyce was celebrated for her joy in singing and her beautiful operatic voice. She performed widely, bringing to life African American spirituals, operatic arias, Broadway classics, and art songs. Her recitals often included sing-alongs, inviting audiences to share in the music and storytelling traditions she cherished.
Imagining a papery leaf if it were inflated, perhaps to the size of a cat, the resulting forms take on "the girth, weight and physicality of animals," she says. Carpenter is known for her clay-based practice exploring the body, land, agriculture, and African American history. She taps into the ancient legacy of the material, merging the timeless medium with contemporary concerns. Perception and expectations are thoughtfully challenged as we encounter bulbous, creature-like beings that simultaneously seem alive and inanimate.
From 12 to 1 pm: Docent Tour Discover the artworks, learn more about the artists and the historical figures that inspired their creations. This comprehensive tour of the exhibition invites you to reflect on Fort Point, the African American experience from the Gold Rush to the restoration-era post Civil War and how the artists make it resonate with our present times. Reserve your guided tour through the link below.
The City Council's decision in July 1925 to approve the mortuary rezone ended two years of zoning controversies led by Edward Niehaus in Berkeley, highlighting consistent opposition to such establishments.
The historic Moses Macedonia African Cemetery in Bethesda, Maryland, is threatened by gentrification and development, jeopardizing the burial ground of enslaved people and their descendants.
We ironically know these 19 because of the horrific thing that happened to them after their death, the desecration of their bodies, said Monique Guillory.