#1980s-horror

#1980s-horror

The zombie was actually a Haitian Vodou metaphor for slavery. For enslaved Africans in Caribbean colonies like Haiti, the theft of one's autonomy was akin to a walking death.

While John Carpenter's 1982 remake was initially dismissed as an empty, nihilistic gorefest, The Thing (née Another World) has since been reevaluated as one of the greatest science-fiction films of the '80s, and certainly one of the most influential.

Forbidden Fruits is part of a burgeoning subgenre of horror movies that engage specifically with femininity and feminine aesthetics, dubbed 'girl horror' in a recent article in Rue Morgue magazine.

The BAIT: Honey?! I Made David Watch 'Death Spa'! I knew I'd made a mistake the moment our chief film critic David Ehrlich emailed me back.

It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.

Upon going solo after White Zombie's breakup in the late '90s, the one-time noise-rock underdog became metal's demonoid phenom with 1998's Hellbilly Deluxe, a monster mosh of horror-themed industrial-metal that spawned the generational vampiric speedway anthem, "Dragula," along with several other Halloween playlist essentials.

A source told the Times that the idea had come from deputy director Dan Bongino, a cop-turned-right-wing-podcast-yapper, whose justification for the decision was as follows: "Bongino said, You can have the best female agent take down the biggest case in our history, but if on the Ring door-camera video she's out of shape or overweight, that's going to be the story. He was worried about whether or not they'd look good on a doorbell camera. He said it's the way these times are."

In 1974, Tobe Hooper made The Texas Chainsaw Massacre, a ruthless movie about Leatherface laying waste to an unlucky friend group. It has had a lasting legacy ever since - its production was even dramatized recently in the Ryan Murphy Netflix series Monster: The Ed Gein Story. (The real-life murderer reportedly inspired Leatherface.) In September 2025, the future of the horror franchise went up for sale as multiple companies bid to acquire the rights to the story.

Netflix and Universal were very kind to let me go direct Scream VII and put some projects on hold. Now I'm focused on those. The first is a TV show based in the Universal monster land. It won't skimp on Williamson's penchant for melodrama, either: he compared the project to an adult Vampire Diaries, which we've not really gotten from him before.

The 10-episode series will premiere on the streamer in June 2026, but Apple unveiled a first look during the Apple TV press day this week. There, Antosca teased his plans for the new Cape Fear alongside its stars, Amy Adams and The Conjuring's Patrick Wilson. The duo play a pair of happily-married lawyers whose idyllic life immediately unravels when Max Cady (Bardem), the notorious serial murderer they convicted years prior, is released from prison.

A caper is always better with two. Batman and Robin, Jake and Finn, Thelma and Louise. Why do you think Shaggy and Scooby were always paired together when the gang split up? This is especially true in comedy, with duos ranging from Laurel and Hardy to Key and Peele taking their place in comedy history. Now, a major comedy duo is reviving a classic horror-comedy made by their Old Hollywood equivalents, right down to reusing the title.

In 2006's Final Destination 3 the disaster is a high-speed roller coaster derailment, narrowly avoided thanks to a premonition experienced by high school senior Wendy Christensen (Mary Elizabeth Winstead). But as fans know, Death doesn't like being ghosted. One by one, the survivors are stalked and eliminated through elaborately staged "accidents" that turn mundane locations into Rube Goldberg-ian death traps.

The only way to watch today is either a little bit sleepy, a little bit hungover, a tiny bit high, or all three. It was a provocative, pseudo tongue-in-cheek movie in 1996 when it was released on January 18, and 30 years later, it feels like a surreal fever dream. In some ways, you could say is the most patient B-movie of all time, waiting for nearly an hour to actually reveal its supernatural, bloodthirsty premise.