David Frum reflects on the complexity of artists like Alice Munro, emphasizing that talent does not always correlate with moral integrity, stating, "It's hardly news that great artists are not always nice people - in fact, quite often, they are very bad people." He suggests that debates around such figures can reveal uncomfortable truths about art and personal failure. Frum navigates this dichotomy with a thoughtful lens, acknowledging both the brilliance and the flaws of literary icons.
Frum contemplates how a famed author's personal failings can overshadow their artistic contributions. He notes that the recent accusations against Munro underscore a profound disconnection, illustrating that loyalty to familial ties can lead to complicity in silence about abuse. This phenomenon raises questions about our responsibilities as readers and admirers, making us reconsider how we engage with the works of such controversial figures.
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