Friedrich's late essay "Observations on Viewing a Collection of Paintings" reflects his disdain for exhibitions, believing they diminish the individual impact of his luminous works.
The immersive experience of a painting was central to Friedrich's philosophy, seeing each work as a unique expression of the creator's vision rather than merely a depiction.
Friedrich, who preferred solitude in his darkened studio to avoid distractions, would likely appreciate the new English catalogues allowing his paintings to shine independently.
The recent exhibitions and catalogues highlight Friedrich as a significant figure, potentially aligning him with Modernist themes and early environmental consciousness.
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