Banville remarked, 'I looked at the Bacchus by Velazquez and thought: he looks like an Irishman at a feast. More drink!'
The project, titled Writing the Prado, invites writers to derive inspiration from art without the pressure of producing work, aiming to blend the literary and visual.
The resurgence of Caravaggio’s Ecce Homo from obscurity underscores the tangled history within art, where the past can dramatically alter perceptions of value and significance.
W.H. Auden's poem Musee des Beaux Arts captures how art embodies the tragic and unnoticed elements of life, resonating deeply with the project’s goals.
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