The Henri Cartier-Bresson of South Korea
Briefly

Han Youngsoo's photographs reveal a postwar Seoul teeming with life and creativity, challenging the narrative of deprivation that often dominates cultural memory of the era.
Even amidst the reconstruction of postwar life, Han's work captures moments of romance, learning, and aesthetic enjoyment, embodying a human spirit determined to thrive.
Han's black-and-white photography, a product of its time, reflects both the harsh realities and vibrant lives of mid-century Seoul residents, exhibiting their resilience and joy.
Through Han's lens, we see stylish couples, engaged businessmen, and playful children, illustrating a rich tapestry of daily life that counters simplified narratives of struggle.
Read at The New Yorker
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